Saturday, December 27, 2014

OPM 309(310), December 27th (2014) Meditation, Being and Learning, pp. 325-32

Thinking/Writing [again!] in the streams of



Beginning with the “Playing in the Band” from 12/27/86 (repeating several times) and then seeing where the flow takes me!  These four 80’s shows from 12/27 are all spectacular in their own way.   Something about the spirit of December 27th!


On 12/27/04 the spatiality of the huacaslogical – the phenomenology of sacred space – gives way to the complementary temporality of the learning community’s work, described with language that resonates with Badiou (who I was not reading in 2004).  The work is described as “the dialogic event, where and when the poetics of artistic expression unfolds…”(BL 325) And “through the artistic performance of poetic dialogue, the futural is welcomed.”(BL 325)  With the work of art – the poetic making – “we experience the letting go into the futural…”(BL 325)  The temporality of the space renders it place of learning, where things are in constant motion (flux, ceaseless…); the place of motion, a dynamic place, a receding horizon, and so the work of the learning community is a “movement along the boundless boundary.”(BL 325).   The description is right to capture the place of learning as dynamic, but I’m ambivalent today about ‘boundless boundary’.  And it may be the ‘boundary’ that I am ambivalent about, or ‘boundless.’

The ambivalence is probably rooted in a misreading of ‘boundless.’   Again, it strikes me that ‘boundary’ is too visual a metaphor, and too close to ‘border’.  In other words, the misreading neglects to think ‘boundless’ as denoting the force of the dynamic movement.  A place of learning has ‘boundless’ energy; the art work of learning takes up the excess; the dynamic movement is propelled by the reception of Being’s Becoming.   ‘Boundless’ must be thought as force, the force of learning.  Power.

Power.  A non-negotiable power is a force.  And a force demands compliance.  This is the sense in which Paul speaks of the Law as tutor.  The force of Being’s Becoming received as an offering puts into motion art making, specifically, the performance of music-making philosophy.   This can be the dynamic dialogue of the exegetical seminar; it can be the dynamic production of music in the recording studio; can it be the live performance, the show? 

‘Artwork’ denotes inter-subjective making, rather than the ‘object’ that remains as a vestigial archive of the making.   Of course, that only begs the question  concerning the ‘objectivity’ of the object.   Things, objects, what be these for the phenomenologist?   The so-called vestigial archive of the making, does it not remain propelled by the originary force?  Maybe the question demands that we return to that place where the artwork is made.   And when we return to that place we encounter a temporality, the nunc stans (standing now), where all artwork co-exists, simultaneously, unbounded by historicity (e.g., the coincidence of the shows performed and recorded on December 27th)  I have to confess here that I am now thinking under Nietzsche’s ‘Eternal Recurrence,’ an idea that came to me one day when I was listening to a GD performance and time between then and now, between the moment of the performance and the moment I was listening to it, collapsed.  “With the artwork we experience the letting go into the futural…the diminishment of the ‘certainty’ of the self, who stands alone and apart.”(BL 325)

‘Letting go’ is a form of ‘letting’: e.g., ‘letting learning be learned,’ ‘letting be beings,’ etc.  But ‘letting go’ is also primary in the sense of a first and last action:  last act of the will, the first act of thinking.   ‘Letting go’ is primary because it denotes the reception of originary force of Becoming.  ‘Futural’ denotes the experienced relation of the chronological to the kairological.   Thinking arises in the nunc stans, the standing now, but learning persists in what Aristotle calls the ‘moving now’.   [nb: Aristotle’s ‘Unmoved Mover’ demands attention; it is the Hellenic source for all productive portraits of God]  ‘Futural’ is the temporal quality (temporality) of learning described as an event.  Learning is a ‘happening,’ and doesn’t simply ‘happen.’  “Learning is the crossing-over into the futural, and every step across the threshold into the boundless boundary where the learning community abides is a gathering, seizing Leap into the futural and away from the familiar past-present.”(BL 325) To think learning as something that ‘happens’ is to reduce it to a degenerate form of didactic instruction, to behavior modification.  ‘Futural’ describes the temporality of learning as the mimetic repetition of the “twofold play” of Being/Becoming [Unmoved Movement].  “To be caught by the Eternal Imagination is to be-come a ‘transmission’ of the essential sway, to be moved by the tidings of the relationality of Being’s twofold processural unfolding.  To ‘transmit’ is to (re)present Being’s dynamic…”(BL 325)

A (re)turn to the East happens on 12/27/04 by recalling a meditation from the second week of the experiment, when, on 2/22/04 a reading of the Taoist hsu was installed as a description of the Nothing: “we stress, again, that hsu denotes vacuity, an emptiness, unfilled, a void…the encounter with ownmost possibility.”(BL 326)  Meditating on the ‘futural’ evokes a re-collection with the originary Open, a re-collection that receives again the call of fecund Silence.  On 12/27 learning is described as the mimetic artwork, “the (re)calling (vocare) of Being’s essential sway which enjoins us in the emptiness of the futural…”(BL 325)  The Taoist hsu is enlisted then to underline the ontological event of learning:  the reception of the originary call ‘empties’ the self.  Letting turns out to be an act of compliance.  “In heading the saying of ‘Nothing’ the ‘en-closedness’ of the ‘self-enclosure’ is made vacant (vacare)…The [originary] call (vocare)…enjoins us in hsu (vacare).”(BL 326)


The originary call arrives as an invitation.  Re-call: “And on this day, 12/24/04, in the concluding moments of the meditation, “the ceaseless arrival of [an] invitation…the beckoning of the essential sway.”(BL 323)  The invitation conveyed by the sage, expressed as ‘tidings,’ ‘Good News,’ etc.  “The learning community unfolds from the reception of the tidings…Heidegger indicates these tidings arrive ‘in the manner of a mutual challenge [that] drives home to us with startling force that and how man is delivered over to the ownership of Being and Being is appropriate to the essence of man.’”(BL 326)  The sage gathers, arranges, and conducts the work of learning.   And does this by letting be the compliance to the force that alone allows us to enact freedom, to make justice.   That is, the sage compels the event of appropriation by mediating that force that moves us into the experience of the “owning in which man and Being are delivered over to each other…”(Heidegger cited BL 326)

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