I’m
struck by the consistency I maintained back in 2004 with regard to the
necessity of discordance in the learning community; the necessity of what the
past few months I have identified with Heraclitus’ polemos. But I’m not entirely
surprised. After all, by 2004 I’d taken
to heart one of the most compelling questions raised during my defense of a
dissertation that held out polyphony as the principle under which we could
bring peace to the culture wars that were then raging on the campuses of
colleges and universities in the decade of ‘90’s, back in the 20th
century. As a member of the
counter-culture movement, which by then had become an anachronism, if not an
anomaly, I found myself a late arrival to the fierce struggle unfolding
over the ‘soul’ of the University, a struggle over what is being taught, how we
are teaching, and who is doing the teaching, not to mention the learning. A classic case of who, what, where, when, and
why; that is, the perennial power/knowledge struggle. And because
I took the long view of the struggle, I built my argument on the
optimism I perceived in Habermas’ theory of communicative action: peace could be made through dialogue because
we were always already drawing on
ethical principles when we entered into dialogue. The question was not whether we could end the
culture wars, but whether or not we could find a way to gather for dialogue. The first error I committed was to presume
the desire for dialogue. This was a war after all, and when one side
is gaining ground in what they see as a full blown revolution (and for
reactionaries that is precisely what they perceived was happening) they have no
incentive to sit down for peace talks. My
first error was related to a second: the
presumption of peace talk presumes not simply the will and desire for such
talk, but, more fundamentally a common language for such talk. But therein
lies the premise of my argument, which was built on the existence of a praxis capable of working out a common
language, literally in and through the very process of talk, now categorically
identified as dialogue. And what’s
more, this praxis – as a technē – was
orchestrated (and not overseen or managed, but applied) by what the medieval
university called a master (in the way we today would identify a ‘master
craftsman’). To make this move it was
necessary to trace the culture wars (at least in form, as case of the perennial
power/knowledge struggle) back to, at least, the Athenian agora and thereby
introduce Socrates and the dialogues he orchestrated via maieutics. Arendt was, of
course, very helpful and I recall at a crucial moment in the process of writing
dissertation reading her essay “Philosophy and Politics,” that had just been
published in the Spring 1990 issue of Social
Research, a volume that featured essays by Sheldon Wolin, Seyla Benhabib,
Jerome Kohn, and one by Richard Bernstein that had at one time been on my desk
as a handwritten manuscript that I was charged with typing. Oh, the nostalgia
of grad school! Arendt on Socrates
figures prominently in the meditation written this day ten years ago, which
I’ll turn to in a moment. But first, in
order to make clear the significant shift that was happening in 2004, a few
final words on the dissertation that was defended in 1996.
Maieutics. The technē of working out a common
language. Based, finally [because there
has to be a reduction!] on Heraclitus:
thinking is common to all, because Logos
gathers all things into unity. To cite
John 1:1 (only for emphasis, because with progenitor Heraclitus and progeny
Socrates we are generations removed from the Gospelist): In the beginning was
the Word. Logos is the originary, and with Logos we encounter the ceaseless nativity of Being, and for us the
ceaseless nativity of learning: the working out of the common. Maieutics:
bringing forth, bringing into the world something new, something that is ready
to be born; learning as the encounter, engagement with, the event of, ceaseless
nativity. Being (Logos, always already gathering, always already offering), and
learning (always ready to receive, always reading to deliver, ready to witness,
recognize and participate in the advent).
Ceaseless nativity: Being and learning.
But here’s where the
memory of what was perhaps the most compelling question asked of me during my
defense: You describe this dialogue [what this day I am calling ‘peace
talk’] as a form of polyphony, of many
distinct, separate voices ‘singing’ in harmony.
But what of dissonance?
Yes!!!...was not the answer I offered in response to what was, let’s
face it, a devastating question [classic New School!]. For what was a long moment I stared at the
famous cannoli Bernstein had brought for me in case “You get in trouble…then just
pause, and take a few bites and chew slowly!” [I really can’t express enough my
gratitude to Richard Bernstein for this support. He taught me so much, and perhaps more than
anything, about the strength gathered in maintaining grace, elegance and dignity
in the face of violence. That day, with
the simple gesture of placing the Italian pastry before me, he offered nothing
short of a blessing in the literal sense of a benediction and invocation. It means everything
to set the proper tone when we begin these academic rituals.] I stared at the cannoli, thought to take a
bite, but, instead, responded, You are
right, of course, that polyphony is
the principle that moves this work, both in the theory I am offering with this
dissertation and the practice the theory is describing and also being distilled
from. And then I paused again, and I said, finally...and that’s all that can be
said in response to the question concerning polyphony and dissonance. The
question was asked late in the proceedings by the external reviewer (from the
Psychology department!), and it really was the beginning of the end of a successful defense. In fact, it may have been the last question,
and, now that I recall it, the question was asked almost as one of those
questions for-the-future.
And here I am, 18 years
later, where I have, finally, ready-to-hand a slick one line answer to the
question concerning polyphony and dissonance:
Schoenberg said, There is a
higher, more inclusive ‘harmony’ that includes both melodic and rhythmic
consonance and dissonance. And that is
what I have in mind when I deploy polyphony as the principle enacted by the
learning community with its praxis of dialogue.
And that brings me to
the meditation from this day, 12/04/04, which is organized around this very
problem/question concerning the necessity of harmony. [nb: I’m completing this
commentary at the end of the day, on the way back…on the bus, now, and soon on
the LIRR and then NJT. I mention
because as it happens I made an attempt to work out today in my C&E
sections the Aristotelian influenced formula worked out by Arendt in the above
mentioned “Philosophy and Politics” essay; the formula that, as I was working
it out today, begins with equality between people who because of their being
equal can become friends, and, further, through that friendship make
community. “That’s what friendship achieves,” is how Arendt puts it. How do they make that community? Through
politics. The technē of politics: agape
infused agonistic dialogue. I have to give kudos to Hayley for pushing me
on the matter of technē, which was
not a term we took up this semester but, as was made clear in our seminar
today, is the only word that can hold our thinking on learning, which, in the
end of the day, is what we are really talking about: the formation of the
learning community (and this isn’t just talk
about, but enactment). I mention this
because after making an earnest attempt to retain ‘friendship’ as the keystone
principle, it became obvious that the learning community is not a gathering of
friends but, as the student Austin put it, a gathering of fellows: a
fellowship, which, as I quickly indicated is translation of koinōnia. In sum, friendship
drops out of the equation, or so it seems.
But this was already anticipated in much of the writing I’ve done over
the past weeks, specifically when I explored the link between fellowship,
fellow, colleagues, collegas, college. Fellowship i.e., the realization of koinōnia, its wordly appearance.]
The question that arises
is if koinōnia denotes the ‘higher’
harmony that Schoenberg is indicating, the one that is inclusive of consonance
and dissonance? This question arises as
a response to the meditation on 12/04/14 that contrasting Zarathustra’s
(Nietzsche’s) and Arendt’s (Aristotle’s)
depiction of the ‘friend.’ “Zarathustra’s
identification of the friend as the ‘third’ who emerges on the scene of
meditation to dis-rupt the conversation
of the ‘self-study’ stands in contrast to Arendt’s depiction of the
‘friend’ as the condition of unity and
plurality. Her point of departure is Plato’s Gorgias, when Socrates says to Callicles, ‘And yet I think it
better, my good friend, that my lyre should be discordant and out of tune, and
any chorus I might train, and that the majority of mankind should disagree with
and oppose me, rather than that I, who am but one man, should be out of tune
with and contradict myself.’(482c)”(BL
295) The issue here is not so much about
friendship, which, on this day, is dropped in favor of fellowship (the
gathering of colleagues), but, rather it is about ‘higher’ harmony achieved by koinōnia. One we make this move we can reply to
Socrates (and Arendt) that the one can remain ‘in tune’ and be in disagreement
with and even contradict others, and even oneself. To contra-dict is, after all, to speak
against, which doesn’t necessarily imply a denouncement but could denote
critique or the offering of an alternative.
Dialogue (dia logos) the
dynamic movement of many voices in relation to each other (polyphony), and
dialectic is that same movement organized around opposition, discord, strife (polemos).
The ‘correction’ of Arendt’s appropriation of
the harmonious Socrates happens by offering an alternative reading of Arendt,
one that invokes that ‘higher’ harmony.
“…the matter at hand for Arendt would be misunderstood if we
characterized the ‘harmony’ achieved through ‘self-study’ as the identity of
‘I-and-I.’* On the contrary, the
conversation of the self with self (eme
emauto) indictes the preparation for the dialogic event…because the ‘one’
that emerges from this conversation is a ‘two-in-one,’ a plurality…a relation between two that can not be reduced to one, a self-same
likeness. For this reason the self, as a
‘two-in-one’ retains the possibility
of becoming discordant…Discordance is a real possibility.”(BL 295) I’m not sure if I’m
reading Arendt against Arendt, or simply making a critique of Arendt. Whatever the case, it seems to me that she is
not consistent in her use of what she calls the fact of plurality. And by this I mean that often she uses the
fact or reality of plurality to criticize the so-called ‘measuring stick’ of
philosophers that are ideal and thereby unreal.
I am taking this a step further to suggest that this fact of plurality is better denoted by
difference (differance), by this
other name, which is to say, the category that can name the fact
of a ‘higher’ harmony that can be either
one of discord or concord. Difference does the work of denoting the
relationality that grants a ‘higher’ harmony. In contrast, with plurality we have the libertarian
gathering of singularities. But this is
quite far from the two-in-of thinking, which, in Arendt, never has its
equivalent in the political sphere.
Perhaps friendship comes closest, but, again, this doesn’t suffice
because it is equality and not difference that is the basis of friendship. Equality is not sameness, of course. But, the reduction to equality is always
privileging the desired outcome of concordance, consensus and/or community as
unity. Or, perhaps it doesn’t? What is true from the Gorgias is Socrates’ non negotiable desire to be ‘in tune’ with
himself. “But, in the end, this
‘harmony’ which achieves a ‘unity’ of mind, an “agreement with himself (homognomonei heauto)”…designate ‘harmony’
as a ‘unity’, and thus ‘friendship’ as an ‘agreement’. The result is the foreclosure upon the
difference and distinction achieved with…alterity.”(BL 296)
*[nb: B. Marley’s ‘I-and-I’ denotes the fellowship of koinōnia]
3.0 (Wednesday, Portland, ME). Finished the 5th draft of "LEARN" on Monday, and yesterday I printed it out and am now making the final edits. After reading the 2.0 from this day 10 years ago it's clear that "dialogue" has been the central phenomenon of my project going all the way back to my doc dissertation, which I defended in April 1996. At this point the project has evolved and the term that is used in "LEARN" is "discussion" and not dialogue, although "dialogue" and "dialogic" appear throughout. Above there is mention of the counter-culture. That is the term that signals the turn away from the project as an ethico-political one (i.e, the critical pedagogy one that emerged out of the study of Habermas, Dewey and Freire) and towards the project as an aesthetic one (i.e., poetic praxis, the aesthetic experience, the object of study as a work of art, music and the sonic dimension). Here is a fragment from B&L that jumped out at me this morning: "“…the matter at hand for Arendt would be misunderstood if we characterized the ‘harmony’ achieved through ‘self-study’ as the identity of ‘I-and-I.’* On the contrary, the conversation of the self with self (eme emauto) indictes the preparation for the dialogic event…because the ‘one’ that emerges from this conversation is a ‘two-in-one,’ a plurality…a relation between two that can not be reduced to one, a self-same likeness. For this reason the self, as a ‘two-in-one’ retains the possibility of becoming discordant…Discordance is a real possibility.”(BL 295). AND here is how that moment from Arendt appears in "LEARN": "When Heidegger describes a person as essentially a pointer, claiming our “essential nature lies in being such a pointer,” we can understand this pointer as what the teacher is doing when they guide the student toward the book, pointing to the khaos of the deconstructed library and inviting them to “pick up and read!” But when we recall that each book is a legacy of what Ilin calls the “first book,” we can understand Heidegger to be also describing this essential pointing as the fate of autonomy: solitude. On the one hand, the call of the book is a beckoning from solitude, an invitation to enjoy the provecho of reading. Más provecho saco de estar solo (I benefit the most from being alone). This is a peculiar evocation because it is an invitation from the book to join it in its solitude. But this is the first moment of philosophical study: to be “alone” (estar solo) with the book. The analogy here is with the solitude of thinking, which, as Arendt describes it, is a dialogue between “me” and “myself.” Thinking is the “dialogue of solitude itself. Solitude, or the thinking dialogue of the two-in-one.” And “only in thought do I realize the dialogue of the two-in-one who I am.” Arendt continues: “each of us, ‘being one,’ can at the same time talk with himself (eme emautô) as though he were two.” Reading is possible because the student who has been turned away from themself is capable of “acquiring another self.” Because the student is “already two-in-one” they can be together with the book in its solitude. The student can enjoy the provecho de estar solo “with” the book. But phenomenological reading is not yet thinking, because the relation between the book and the student is not a dialogue or the kind of improvisation discussion that will happen when the student gathers with others in the learning community. Rather than a dialogue, the encounter with the text and the reception of its “voice” is a monological situation, with the student remaining silent and attuned to arrival of meaning that is overflowing from the text as if for the first time."
ReplyDelete3.0b - AND here with Schoenberg: "The provecho of solidarity emerges when the disaggregated learners come together, and with the guidance of the seminar leader (the teacher) consolidate with the sharing of a précis of whatever essentials have called out to them, and together discuss possible interpretations of the text. The principle of insufficiency generates dialogue, which has the feeling of a rehearsal. Discussion is a performance of philosophical dialogue, the kind that Socrates engaged in, which Arendt reminds us was inconclusive. The emphasis is on the process and not the outcome. Was the discussion organized around receptive listening? Were the responses spontaneous and of the Moment, improvisational? Did the discussion sound like a “relative harmony” in the sense that Arthur Schoenberg in his Theory of Harmony describes a harmony that is inclusive of dissonance and discordance? To use another musical term, was the dialogue polyphonic? When the discussion is moved by the principle of insufficiency, there is a mutual recognition that no one student, or for that matter the teacher, has “the answer” or the “last word,” that would produce a consensus. The incompleteness of each précis doesn’t “complete” the others. “Complete” implies the finality of a study in the sense that no stone has been left unturned and examined. The opposite is the case, and what makes the seminar a learning community is the fact that each contribution is underdeveloped, incomplete and insufficient on its own but also a part of the collective. What the students along with their teacher experience is a solidarity in the mutual recognition of their partial, imperfect and inconclusive digests. They are unified, generally, by their shared interest in learning, and, specifically, by their shared interest in the text. There is a curiosity that drives this mutual interest: What fragments of the text have called out to others? Where will the discussion take us? Their contributions complement but do not complete one another. The minimalist consensus happens via the sharing or distribution of each annotation. Borrowing from Arendt, the learning community can be described as a gathering of singularities (a plurality), the location where each student can be heard and hears others."
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