Friday, January 16, 2015

OPM 328(329), January 16th (2015) Meditation, Being and Learning, pp. 348-349

Back in snowy Portland!  Still tuned into the Miami Phish show from two weeks ago.  Built it into the DZ for this Sunday.  Let’s see if the correct files make it on the air!  I was only moderately disappointed that the second hour form last week’s show wasn’t aired, because it featured the acid test from the Fillmore in early January ’67, and Timothy Leary was dropping f-bombs here and there.   So I was somewhat concerned about stretching the FCC regs.   Anyway, onward this morning with Burlington, VT based Phish from 1/3/15 streaming on the Bose as I write from my kitchen desk on this glorious sun drench crisp fresh snow morning in Portland, ME.

The writing on 1/16/05 is a testament to the epic form that appears more often than in this project.   Just drops into think in media res.  [here it is worth citing the commentary from 11/6/14 where I recall the only two readings of this project that deem significant: “Rocha reads Being and Learning as an Augustinian work of self-disclosure, and I’ve never contested that reading, which, it seems, co-exists and complements Tyson Lewis’ description of BL as ‘the first epic in philosophy of education’.  I write as one who is experiencing the trials and tribulation of thinking the relation of Being and learning!”(11/6/14)] 

The writing on 1/16/05 begins in media res – Donde Estamos? in media res (in the middle of things, which is to say, in the place of thinking, the standing now, the nunc stans, with the originary, moved with becoming – and this beginning (of the meditation) points to the above mentioned readings by my fellows, my friends, my colleagues, mi colegas.  I have consistently described the call to learning to be made by the sage, who, like Heidegger’s teacher, is the first and original learner because he stands nearest to the originary, upon the unstable and uncertain ground (what I have called the ‘collision zone’, the sacred place, and perhaps even holy land?) and has more to learn than the students because  he has to learn how to let them learn.  But on 1/16/05 it is the friend who issues the call to learn: “But as we have seen, it is the friend who appears as the one bearing the evocative invocation that puts the philosophical journey underway.  Thus, when Heidegger asks ‘On what journey does the poet attain to his renunciation?  Through what land do his journeys lead the traveler?’ his question refers us to the situation of the philosopher, as learner, who has been turned away from the quest for self-certainty and placed on the path of disquiet questioning…the ‘familiar’ as strange, the ‘self’ as a stranger, when he is confronted by the…hidden presence of an other.”(BL 348) 

The meditation moves simultaneously in two directions:  it recognizes the presence of the ‘friend’ who, it will turn out, is the figure of the ‘teacher’, and also makes a cartographical description of the movement of the learning community.   Through Heidegger the movement of the learning community is described as a journey into a ‘land’ that I have been describing as the collision zone, and also as sacred place.    Here I have to make note of the seminar discussion from last week where we dispensed with Irigaray’s appropriation of Heidegger’s ‘dwelling’ as ‘home’ -- thinking as the time when we build our home (self), each day.   Thinking as learning (meditatively, dialogically) is a building a making (technē) but was is made is something that expresses being with becoming, and this is why music, performed music, is the only art work that can adequately constitute the work.  And the making of music is far from the building of the home; it moves far, very far, from the domestic.  “Through what land do his journeys lead the traveler?” ask Heidegger about the poet when he embarks after his renunciation?  I’ve written on this renunciation, this original moment of listening, and can hear describe this place where the traveler, the learner, moves as the Open where he discovers the fecund Silence. “The ‘land’ of poetic thinking is that enchanted realm of the Open, the boundless boundary where the performance of learning is enacted.”(BL 348) Renunciation is yet another description of self-overcoming, and yet another reason that we dispense with the description of thinking as the building of the home, the self.  Irigaray wants us to return ‘home’ (to the self) after listening to the other.  But there is no going home, as Thomas Wolfe famously said.  Wolfe’s aphorism finds no better illustration than in DuBois  character John Jones, who returns to the town where his family lives but never arrives home.   Once embarking on the journey of learning, the sojourn of thinking, we can never go home. The original moment of listening, the effacement with Being, leaves us speechless, dumbfounded (cf. Aquinas’ experience with the cross that left him without the capacity to speak; Thomas renounced all metaphysical system building after that experience).  On this renunciation I have written at least two commentaries, both from late May:

With this in mind, I share a highlight from today's meditation, OPM 95: "Thus, 'purposeful wandering along the proper way of fellowship,' is the response to  Heidegger's questions, 'On what journeys does the poet attain to his renunciation? Through what land do his journeys lead the traveler?'...To renounce is to 'give up or put aside voluntarily.' Renounce is derived from the Latin 'renuntiare to bring back word.' Nuntiare is 'to announce' and this is derived from 'nuntius, messenger, news.' [Websters]...in delivering the message the Sage conveys the renunciation by bringing back Word, by conveying the appearance of the ineffable...Nuntius renuntiare."

To be the messenger who brings back the word.  Is the sage then the bee keeper? The one who cultivates honey? (05/19/14)

                                             ≤≥

In commemorating OPM99, I'll take up the spirit that moved the original experiment, and begin with two fragments that I picked up this morning.   The second, which I'll share first, because it offers the context, was an email I received from Jason Wozniak, co-founder of LAPES, whose presentation at PES Albuquerque I recorded and posted on this blog.   An exchange we had this morning culminated in his citing of Rilke's Sonnets to Orpheus:  "Song is Existence."  While, at the moment,  I can't find the meditation where this exact quotation appears, it is quite close to the Holderlin line that is cited in OPM 94 from May 18th:  "Soon we shall be song"!  Indeed, but in what sense 'song'?   In what sense is this 'being of song' what arrives after the poet's renunciation, which renounces speaking (the verbal), and announces listening (the non-verbal, 'silence')?  In what sense is such 'silence' the 'sound' of instrumental music, non-verbal communication? (05/23/14)


In what sense is such 'silence' the 'sound' of instrumental music, non-verbal communication?”  This question jumps out at me 8 months later and demands that I take it up in related to the past few day’s descriptions of the modality of musicality and the movement into the fecund Silence.  At the very least it seems to indicate further mediations that will yield description of the fecundity of the fecund Silence as heard in improvisational instrumental music.  My go to example here would have to be the jam that begins at the 38th minute of this second set from 1/3/15: http://youtu.be/A8LO0lkqzqA [Listen to it…don’t watch the video…at least not initially…the power of the performance as a demonstration of musicality is felt most intensely in listening]

Renunciation has everything to do with self-overcoming in the Pauline sense of becoming the  δοῦλος (doulos, slave) of the Holy Spirit.  And this is why I insist on describing the artwork, the making of art, the performance of music-making philosophy as mimetic representation, which is only to say a performance that is propelled through the performances but not by them. 

On 1/16/05 the friend appears as the one who draws one away from ‘self’ and thus away from ‘home’.   “The friend’s appearance shows the presence of the unfamiliar by raising the fundamental question…”(BL 348)   Socrates friend Chaerephon, who Socrates tells us is the one who first relayed to him the message from the oracle, is recalled as the friend who “offers the de-familiar, what is beyond the ‘family’…”(BL 348)  And then Zarathustra makes a sudden return to the seen to inform that “‘A friend should be a master at guessing…you must want to see everything.’”  Zarathustra is “conveying the friend’s showing of the fundamental question as the appearance of the veiled presence of the be-ing human whose ‘essence’ remains with-held, and concealed, because it always remains in/with becoming, on the way and ‘not yet’ present.”(BL 348)

Despite having been heard saying (but never truly enacting) the statement to my students, “I’m your teacher, not your friend,” on 1/16/05  the figure of the ‘friend’ appears in the form of the ‘teacher,’ who has to be understood as educator described by Heidegger in lecture 1 of What is Called Thinking?  How then does the teacher learn to let the students learn?  By taking up the position of the friend, who, today, is appearing as one and the same persona as the fellow, the colleague, colega.   (I suspect the next move – which would constitute a reversal – will be to discover the collapse of the friend v. family distinction, so that persona with who one is making music is at one and the same time: fellow, colega, friend and family member aka brother, hermano.  Indeed, there is something powerful happening when the movement appropriates the language of the mendicant orders and begins to refer to their comrades in the struggle as ‘brother’ and ‘sister’).


What is important on 1/16/05 is that the friend/teacher’s listening is an “openness that bears the essential or fundament question…”(BL 349)  This listening enacts the Open by conveying the fecund Silence.  The fecundity of the fecund Silence appears as the force of the originary: “the fundamental question…confronts with what is ‘originary.’  And what is originary is ‘original,’ novel and unique.”(BL 349)  Listening is thus the manner in which the call to learning happens, and thus the call is a re-calling, a re-turning,  a moment of re-collection (gathering with the originary):  “To be re-collected to what is originary is to take up what is original, that is, to take up the question, ‘Free for what?’…the fundamental question of be-ing human….”(BL 349)  The δοῦλος of the Holy Spirit is thus one who is properly emancipated into the exodus of the movement of humanity’s becoming.  “To be is to be free.  But to be engaged in the be-ing of freedom is to be engaged in the question of this be-ing of freedom.  This is to be a learner, or one who is attuned to the freeing of freedom, the releasement of be-ing that is released in the be-ing of releasement in/with the en-actment of creation that (re)presents the originality of the originary dispensation.  To be learner is to be…(un)bound, released, to the improvisational performance that brings from concealment…The learner…abides (de)construccion, of/from construction…held out in the Open, before the no-thing from which the new is let be.”(BL 349)

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