First
and foremost and in the manner of the Roman tradition that will take up some of
my focus momentarily I have to pay homage to Dr. Bienvenido Duarte, who this
day, after 61 years of practicing medicine, is seeing his last patient. A life devoted to caring for the well being
of thousands, beginning in 1953 in Castillo, La Bomba de Jaiba y Hostos,
Republica Dominicana, New York City, Milwaukee, WI, Pendelton, OR, Kankakee,
IL, Ancora, Newark, Jersey City,
Passaic, and Summit, NJ. Were I to
equal the span of my father’s professional career I would have to practice my techne until the year I reach his age of
87 years! That thought alone is enough
to humble me beyond the modality of humility and respect I feel today for
him! He has shown me the way to be a
rigorous and tireless professional, and for that I will always be grateful.
“I’m
here to tell you war is the answer.” I
let that one hang in the air today in both of my HUHC C&E sections that
followed a careful and inspiring lecture on Virgil and his Aeneid by my colleague Ilaria Marchesi. Of course, I was setting up my students;
setting them up for a discussion by enacting the very agonism I wanted us to
think together. But please don’t
misunderstand me when I say I ‘set them up’, because this wasn’t some kind of
cheap teaching trick to prompt discussion.
Rather, as I informed them, this assertion was a strange to me as it
sounded to them. I gave them the full
context of the blog commentaries that had taken me into Heraclitus’ war
fragments. And this was not at all an
unfamiliar context. These are the
students who were part of the 200 who heard my Heraclitus lecture on October 2nd.
But these are my students, and they
are also privy to this blog, which I shared with them as a way of giving them a
full picture of myself as a working philosopher, in the way I understand the
meaning of that work. “Read the blog
and you’ll see that prior to hearing this morning’s lecture I’d already been
gathered into the place of thinking the coincidence of the opposites war/peace
and the co-arising of peace, freedom, justice under the rule of ‘war’ (polemos, strife, struggle).” Indeed, as I listened to Ilari’s lecture,
which was made under the premise that the Romans of the first century BCE were,
like the people of today, suffering war fatigue, I couldn’t help but think
against the implication of her fundamental premise: Virgil forced the Romans, and the first
citizen Augustus, to reconcile themselves with the originary that is armas, the first word of Virgil’s
epic. As she reminded us, the
reconciliation can only happen when we think this first word and point of
departure, this which means everything
to the Romans, specifically those first century Romans who have are intent on
(re)founding Rome, with the last word of the epic: shadows, the shadow of death.
War and death thought together, what does that disclose to us?
If
Ilari’s reading is taken up then we have to read Virgil as offering us a
cautionary and dark epic. But I read
against that implication. I read the
shadows as the contrast and other of war; what allows for war’s presencing to
happen; the darkness that allows for the brightness of lightning to flash in
all its brilliance. When Nietzsche
describes the sun as the “over rich star” he is pointing to the excessive
brilliance that overwhelms darkness that surrounds it. Space, that ever presence ‘darkness’, is
always granting the sun a place to shine, but each day its excess lulls us into
a forgetting of the granting darkness.
This amnesia is what organizes system of thought offered by Plato in The Republic, specifically book
seven. And this is why, if we want to
understand the archein (starting
point and organizing principle) of Virgil’s epic we need to think with
Heraclitus, specifically fragment 44: Polemos is basileus of all things.
The
students in my C&E sections are earnest, rigorous, and open minded, so they
listened attentively yet critically to my reading of Ilaria’s lecture; and they
both pushed back against and forward with me, because they shared my ongoing
curiosity about the implication of Heraclitus fragment 44, which we’d neglected
during our study of him. Thinking Virgil
under the influence of Heraclitus allowed us to take up the shield of Aeneas
and compare it to Achilles’. The latter
shield offers the coincidence of peace and war, which, looking ahead to our
study of Augustine, I likened to the two cities that we are irreconcilable. But thinking against that either/or logic I
suggested a dialectical reading of the cities of peace and war. They are twin cities, or, better, the same
city perceived through the mask of Janus.
The shield of Aeneas offers us only war, and, it behind this shield that
we can think the (re)founding of Roma.
This move is not unlike the one I made earlier in this day with my first
class, equally earnest, rigorous and open minded, when we took up DuBois and
mapped the place behind the veil as the location of thinking. Behind the shield and the veil we take up the
question of the human condition: how does it feel to be a problem? To experience an effacement with the human
condition through Heraclitus’ 44th fragment is to begin the process
of reconciliation with the work of human hands, our poiein, as an ongoing struggle and strife. Call is passion, but don’t reduce it to
tragedy because, as Arendt reminds us, this work of repairing and renewing
[(re)founding] the world is always a work happening in the present that is
oriented towards the future. Reference
to passion reminds me again of the blues ontology of Cornel West’s prophetic
pragmatism, and the thorn encircled flaming heart.
With
prophetic pragmatism we transcend the suffering of the present with the song
that gestures towards the future. This
is the hope that is felt in the movement of the blues, the promised salvation
that demands work, building. And it is
through the lens of the blues that I want to read the beginning and end of
Virgil’s epic: war and death as the
dialectics of (re)founding. ‘War’ (polemos) as the strife of making, the
struggle of building, of bringing together something new from what remains;
working in the twilight, that dusk when the Owl of Minerva spreads her
wings. War, the struggle, the work until
the shadow arrives, and the dark of night set in. But here, again, a reversal of what was
written three weeks ago: not darkness, but light arrives, for “Death is thus
the ongoing arrival of the new, the light of the futural shining forth from the
past and through the darkness of the present.”( 10/6/04 BL 230)
But
this reversal takes us into a further disclosure of the dialectic: “Death as ongoing arrival of the new is
announcement, almost prophetic – if that logic is applicable to a work of
meditation, a sojourn of the soul -- of
the forthcoming category ceaseless
nativity. Death, the withdrawing
offering, the granting absencing. The
reduction to aleitheia is manifest:
the play of life/death.”(10/6/14) “Death is the mysterious and open
futural that confounds the now.”(BL
230)
To encounter the complex play of
dialectics today is to return to the meditation from this day ten years ago
that announces at the onset: “To enter into the strange-land of learning is to cross-over into the openness of the Open
as a newcomer bearing the gift of natality, the vestige of the originary
dispensation of Being.”(10/28/04 BL 255)
Peace is announced…but it is not that peace that stands as the result or
absence of war, for this would not be that place of thinking, that
strange-land. It is not the peace of
tranquilty, but of a dynamic unrest “where plurality is cultivated…it is the
flourishing of difference that marks the land as strange, un-settled, even
wild. But how is it that we identify the ‘cultivation’ of a ‘wild’ sphere? Does this not collapse the ‘refined’ and
‘cultured’ Apollonian into the ‘raw’ and ‘untamed’ Dionysian? Responding to
this query requires us to reflect upon the encompassing investiture that is
‘reserved’ for human freedom. This
sphere, the abode where the learning community is gathered, is the shelter
spared by Being through the Open, the temporal horizon appearing in the gap
between past-present and future. The
relation between past-present and future binds the horos of mortality. The
finite being-in-the-world of mortal being unfolds within this horos.” (10/28/04 BL 255)
3.0 (Monday, Portland, ME) - Today I start editing of the 2nd draft of "LEARN," and after reading Lawler's intro to Derrida's "Voice and Phenomenon" I am motivated and feeling like this work is some of my best. The word length limit forced me to focus. The design of this project, by contrast, was all about inspiration and aspiration, and I leaned heavily into the poetic, as is demonstrated in the OPM from this day 20 years ago Reflecting on the contrast I have to express gratitude to my 38 year old self for taking a year to go for it and let it all hang out a la Nietzsche and Coltrane. Because of that year, which was a kind of cathartic experience, I am now 'free' to finally be more focused, and dare I say, technical in my writing. And 'technē' is my watchword as I head into the next phase of "LEARN."
ReplyDeleteAs for the 2.0 from this day, I remember that discussion quite well. That was an excellent group of students, and the space where we gathered was well suited for the process we followed. Of the C&E groups I've taught, I remember them as having the highest level of engagement.
Finally, I remember well that day ten years ago, which was my father's last day of practicing medicine. It was a memorable occasion and my parents and I celebrated with dinner at an Italian restaurant.