At the very least, this blog
offers me the opportunity to document where I was with my work in 2014. I prompted to say that because this morning,
when I was on the train back to Hofstra, I came upon the Moleskine notebook
where I was jotting down this and that between April and May. It started off as a notebook where I could
collect the titles of books of interest in the Drew University holdings. (Drew is the campus where I work when I am in
New Jersey. I have no official
relationship with Drew, but the campus is a fairly open and hospitable one, and
the library is quite good, as well as comfortable. The campus is also part of the same wooded
landscape that covers this hilly part of New Jersey. The campus itself is called Drew Forest, and
has been inspiring many a scholar for generations. Here is a turn of the 19th into 20th
century description of the campus I found by Olin Curtis:
The Trees of Drew Forest
By Olin Curtis
The first time I ever saw Drew Forest, Doctor Upham, my gracious
host, suddenly said: “Do you want to see the finest thing we have here?” Not
waiting for an answer, he started in the direction of Cornell Library. This
direction vaguely led me to expect to see a rare book, or an old manuscript, or
a historic portrait. But, before we came to the library, the doctor
stopped, backed away from the path, and, with a quick flourish of his right
hand and entire arm, as if trying to sweep the whole campus into the spot in
front of him, exclaimed heartily: “There it is! That beech! Is there anywhere
on earth, any living thing more beautiful?”
Our
last scene is that paradise of trees, ‘Drew Forest.’ The entire picture is
beyond my courage; but here is a fragment: a group of white birches, and
snow-besprinkled spruces standing over against eastern sky. It is a December
morning, perhaps ten minutes before sunrise. From where I stand, I now and then
catch, through the treetops to the northeast, kindling patches on the distant,
low-lying hills. Squarely in the east are long, streaming pennants of
color—none regular, none gorgeous—just dull red alternating with blues so dark
that they barely escape being somber. The tops of the birches are the first to
respond to the dawn, and very soon their plumes, drooping and gently swaying,
shine like treads of silver filigree. But only for a few moments are the
birches central in the scene, for the tops of the spruces now become aware of
the rising sun. All their sharp points and variant angles are suddenly
burnished, and over the dark green branches, powdered as with damp marble dust,
there is a shimmer of gold beryl which seems to light up the erect dignity of
the spruces with unmistakable gladness. You begin to appreciate those exultant
words in Isaiah: ‘All the trees of the field shall clap their hands.’ For these
transformed spruces appear to be ready to do any joyous thing!
I
break away from the small group and look over the whole sweep of the Forest,
and everywhere it is morning in the treetops.
—Professor Curtis
Professor of systematic
theology, Drew Theological School, 1896–1914
So...the finding of the Moleskine
prompted me to remember the importance of this blog as a documentary of the
work from this year, as a place where the focus of my thought has been
deposited and can be retrieved, I hope, with some interest accrued! (For the
record, the last of the Moleskine notes, which was recorded on May 16th
– then it was put away for the summer in
the file folder I have been using for the past 7 years for my teaching material
– says: “there is a subtle yet key distinction between ‘dwelling’ in a place
and ‘being located’. The structures we make
suggest the difference – the place locates us in time & space. To be located is to have a passive
relation to be acted upon.”)
On to the legend…
“The river appeared much wider
from the Eastern bank. As a group of
caretakers waved him off, Zarathustra was puzzled by the optical illusion. The breadth of the river had doubled and he
could not imagine how it was possible for him to have crossed such a
distance. He turned now, still dazed and
confused, to regard the awesome image of
the mountain range rising up before him.
If the crossing of the river seemed an improbably venture, the ascent
that stood before him could not be measured, nor described in words. He would be carried away by the mountains,
devoured and diminished like the cloudy mist that had been cleared by the
rising sun. Loaded and slowed by the
pack prepared by the caretakers, and clutching the boda he received from
Sancho, Zarathustra began his slow and arduous ascent.
“‘Don’t go away. Stay with us.
Else our musty depression might seize us again.’[Nietzsche, Thus Spoke Zarathustra] The words echoed
in Zarathustra’s memory as he began his trek.
In the earliest hours of this day of his departure he had heard the
desperate and sad entreaty of a mysterious wanderer who remained in the dark
outside the shelter where Zarathustra silently prepared his pack. He was not at all startled by the melancholy
voice arriving from the deep night.
“In the time he had spent in the
forest with the caretakers he had become accustomed to the unexpected and
unsolicited voices that would speak to him.
Oaks, maples, hemlocks, birch, holly all enjoined him in dialogue, and
compelled him to become an attentive listener, ready and waiting to hear, to
receive the wisdom of the forest, the hidden harmony resounding throughout the
glades. ‘Stay with us, O Zarathustra!
There is much hidden misery here that desires to speak, much evening,
much cloud, much musty air! You alone
make the air around you strong and clear.
Have I ever found such good air anywhere on earth as here in your cave?’
(ibid)
“The saying of ‘cave’ interrupted
his packing. ‘This is no cave,
stranger. But I leave this morning,
cross the river, and ascend to a cave high in the eastern range. Are you called to that cave, and you mistake
this forest shelter for that safe dwelling of peace?’ ‘Do not go away!’
repeated the voice. ‘Who are you?’ asked
Zarathustra. A silence ensued, and
Zarathustra returned to his packing, believing the stranger had left.
“After some time the same voice
replied, ‘We are your shadow Zarathustra.
Stay with us.’ Zarathustra stood,
but did not leave the lean-to. He gazed
into the darkness, into the hiding where the speaker was dwelling. He listened
again for the voice, and any sign of life. The hymns of crickets and cicadas
bounced off the limbs and trunks. ‘I
leave this morning, cross the river, and make an ascent of the eastern
range. I follow the northern trail. Join me, my shadow, for you are welcome
company. Together we shall find the air most strong and clear in the lofty
heights. Much shall we see from the
peaks. Leave the habit of your lonely
habitation. Let silence inhabit your
dwelling and disrupt “the evil routine of your own howling and cries of
distress.”(ibid) Let us dwell together,
so that I may stay with you.’
“Another long silence ensued, and
was finally broken by the voice of a caretaker.
‘Are you gathered, brother? Shall we help you with your pack? The time
to take your leave has arrived.’
Zarathustra re-called these voice as he hiked north, following the
river, moving alongside its southerly rush.
The banks were climbing, steep, and soon became a cobble of boulder and
root. ‘Rest beneath the falls, then
follow the path to the east. You shall
reach the shelter of the mountain cave in the light of the second moon.’
“He focused now on the teachings
and tales he had received in the forest, and listened to the rush of
rapids. His spirit was lightened, his
steps were quick.” (09/05/04, with very little editing)
3.0 (Thursday, Portland, ME). This morning would have been my first day back on campus, as I normally go down and back on the second day of the semester. And then the second week of the semester I resume the usual two days on campus, three days away from home. So as I sit here in my chapel quiet home it feels like today is the first day of sabbatical! When Kelly and I were walking the dogs this morning there was one plane after another taking off, and I joked that it was a ceremonial salute to my sabbatical. The break from the commute is one of the highlights of my sabbatical. The other is the break from the politics, although I have been managing that much better the past two years or more. I'm anxious about the editing of the first draft of "LEARN," which will happen next week when I return to MDI. I've been struggling with doubt the past week. It's strange how focused I can be when I'm writing, so sure of what I saying and the paths I'm exploring, and then, as if I'm coming out of a dream, the confidence gets tested. Truth be told I kept saying all throughout the summer, "Well, I hope that some of this is usable!" I'm aware that there will be some material that won't make it into the final draft. At this point I'm something like 8k words over the 45k contracted limit, but I think Routledge will allow me up to 50k. All that to say that I'll have to cut some of the material. As I said, I'm a bit anxious but looking forward to next week! So far as I've planned it, next week will be the only time I'll be getting away from the house, which is fine by me. This sabbatical is going to be all about spending lots of quality time at home with the family, doing indoor and outdoor projects, and resetting as much as possible. I want to return to Hofstra with a new perspective, not to mention a new book that I can use in my course. I have to keep reminding myself of that goal: writing a book I will use in my course. Folks used to ask me, Who is your audience?, and I couldn't quite make an answer. This time the answer is clear: my students.
ReplyDeleteSpeaking of audience and the hope of returning to campus with a new perspective, I was perusing the MWPA website this morning and came across the Maine Review publication. It's one of many writer's journals, and I have the feeling I'll be submitting something to them. The website had tens of publications, and I'm reminded that there are lots of venues to publish. The tale of Zarathustra might be something I consider working on. Most of it is solid. At times it sounds a bit didactic and clunky, like the poems that Heidegger wrote. But the general idea isn't so bad, and it seems unique, and something I can work with. The idea of writing fiction is super appealing and gives me a burst of energy. I don't think it's fair or right to let the little Phenomenology and Existentialism SIG determine my plan of action with respect to PES. And the writing of fiction and attending that conference don't have to be mutually exclusive. I feel like I have some unfinished business there, and I do feel like perhaps I need to "clear" my name. But we'll see. I do know that 2025 will be the year I make a transition and start writing fiction!