When I returned from Sunday
morning lacrosse I was looking forward to a ice cold smoothie featuring the
kale and carrot I bought at the Portland farmer’s market yesterday, and also to
relaxing and reading the Maine Sunday
Telegram. I mention this because I
was mostly pleasantly surprised to see that top story to be a lengthy feature
article on the latest wilderness project in Maine: the Katahdin Woods and
Waters, a 150,000 acres area of forest, lakes and rivers adjacent to Baxter
state park (home of Katahdin), which is destined to become a national park and
national recreation area. It’s the
largest area of unforested land east of the Missisippi, and deservedly holds
the mystique that is the Maine woods.
It is precisely through these woods that Thoreau travelled when he made
his journey to Katahdin, a journey that captured my attention and philosophical
imagination at the end of July and into August.
Over the next two days the paper will feature articles by reporter Tux
Turkel and photographer Gregory Recas as the paddle the same East Branch of the
Penobscot River that Thoreau went on during his trip to Katahdin. Having found myself called to this part of
the world for the mystique of Maine, this news of the latest initiative to conserve
the wilderness is a confirmation of the faith I have that this call is akin to
grace; and the naturalist turn is not a random decision on my part, but an
example of the event of appropriation in the sense that my being here is what
if often called ‘destiny’, or what I would call the moving present, where the
‘present’ is identified as my being in this place, Maine. My being-here is an event because I
understand this location to be the only place where I truly be. The old language of ‘authenticity’ is
tempting to roll out, but I’m not ready to do that yet. Suffice it to say that there is a continuity
between the first summer I spent in Maine in 1977 and this day 37 years later,
an existential continuity, and perhaps I can use the world ‘self’ or ‘identity’
to describe it. Another way of thinking
about this is to say using the experiences of everyday life that there are
times and places, moments and locations, when and were we really don’t show
up. Folks would say in those moments
that we are ‘there’ or we aren’t present.
Of course, our bodies are present, and so to our consciousness, but
there is no attunement to location and what is happening, and we will hardly
recall any details of what has happened.
In this sense ‘identity’ or the ‘self’ is constituted by experiences,
and experiences are precisely those significant events, the moments and
locations, that stand out and come into presence in such a powerful way that we
are gathered into the presencing with
it. And it is precisely this gathering
that I describe as the coming together of a self. In sum, if there is a specific place where we
have consistently had experiences then that place can be described as a the
place where we are ‘from’, which is to say, the place that has formed us into who
we are.
Now this talk of experience takes
me to the writing from this day ten years ago, with the meditation that begins
with a discussion of “an experiential philosophy”. It continues: “we assign this practice
‘experiential’ to emphasize the ‘non-cognitive’, ‘non-speculative’ character of
the philosophical endeavor.”(8/24/04) If
a place that consistently gives rise to experiences -- a ‘moving present’ -- and in doing so is described as ‘forming’ us,
then an experiential philosophy is one that is a mimetic representation of that
place based formation: it is a philosophy that expresses self-formation, but
not in the sense of a self forming itself, or what Foucault calls ‘care of the
self,’ but, rather, in the sense that the self arises dialogically, or ‘in
concert’ with others. If learning is “an experiential philosophy” it
happens as “the event in which a many are gathered together in a common
project.”(8/24/04)
The meditation take off and
focuses on the roots of ‘forge’ in the Latin fabrica. “Fabrica, which has been closely retained by the French fabrique, indicates why ‘forge’ is well
suited to capture” the work of the learning community. As a dialogic philosophy, “learning is the
making of a common world, the weaving of the various threads of humanity into
an ornate textile that tells the story of humanity…Learning is thus a telling
of a story, the weaving together of a text from the texts of words of the
plurality of ‘authors’ who participate in the community. Text [Middle English and French texte], the ‘original words of an
author, esp. as opp., to a translation, commentary, etc.;’ arises from the
Latin textus, or style, and later a
more venerable term to name the Scriptures.
Textus is thus importantly
linked to Logos, the gathering directive. Textus
is the outcome of the weaving of the voices enjoined by collective heeding of
the Word, the textile that is woven
in the gathering that compels all to speak ‘beyond’ themselves to others. Textus
is rooted in the more originary texere,
weaving, and in the same way the forging of poetic dwelling is always the
originary modality of learning as an experiential philosophy, an enactment…the
ongoing fabrication, the perpetual
making of the fabrica, the incessant
creation of the world as a weaving together of various ‘threads,’ the
polyphonic arrangement of a plurality of voices.”(8/24/04) Aside from an objection I have about the
exclusion of commentary writing from the definition of a text, I share an
extended citation of the abridged last section of the meditation from 8/24/04
because it is the first time in many weeks that I seem to have broken through
to some fresh writing via some revealing etymology.
3.0 - (Saturday, Portland, ME). During this summer of writing I would take off on weekends. Saturdays and Sundays are meant to reset but also to focus on yard work. This summer has been less about play (not much kayaking, no sailing, no hiking), and all about work, although it didn't feel much like work. It was labor of love, for sure. Having said that, after completing the draft and celebrating big time last night with Kelly at the Dark Star Orchestra show at Thompson's Point, I almost forgot about this blog! I'll get back into the daily writing/thinking here, but today I'm more or less mailing it in. The fragment that grabbed my attention: “Fabrica, which has been closely retained by the French fabrique, indicates why ‘forge’ is well suited to capture” the work of the learning community. As a dialogic philosophy, “learning is the making of a common world, the weaving of the various threads of humanity into an ornate textile that tells the story of humanity…Learning is thus a telling of a story, the weaving together of a text from the texts of words of the plurality of ‘authors’ who participate in the community." That fragment from this day 20 years doesn't capture how I've been describing the learning community these days. I've more or less adopted Arendt's description of action as the enactment of freedom, but also her description of action as a performance, like performance art. Performance art doesn't "make" anything. It is a performance. Unlike the fine arts, the produce something, the performing arts are experiential, both for the artists and the audience. So if the learning community's dialogue is a performance, then they aren't making anything. Of course, what I emphasized back then is still what I more or less am emphasizing today: that what is "made" or "forged" is the learning community itself. But lately I haven't been emphasizing the forging of the learning community, and have been focusing on the process of discussion.
ReplyDelete