Saturday, August 2, 2014

OPM 169, August 2nd Mediation (2004 & 2014)

In OPM 168 [the writing from 8/1/04] an unresolved tension arises from an 'error' I make with a misinterpretation or misapplication of Arendt’s concept of ‘world.’  I write, correctly, that “we abide with the abodes of our creation.” ‘Abide’ is understood to denote all existential modalities.   However, it seems I have committed an error when I collapsed ‘worldliness’ – as a fundamental condition of our existence – with ‘natality’.   The ‘fact’ of our natality is a birthright: “The fact that we have all come into the world by being born and that his world is constantly renewed by birth.”(Arendt, “Crisis in Education”)   The renewal of the world, which is the product of human hands (and hearts) is possible because we can make (and repair) things.  And this is what she calls ‘work.’  The world is made by our work. 

The error in OPM 168 is probably one that I have been making throughout the experiment yet only noticed today when I was re-reading the material from yesterday’s meditation that immediately precedes the meditation from this day ten years ago.  The 'error'  is based on my collapsing ‘worldliness’ with ‘natality,’ ‘work’ and ‘action’.  For Arendt, the two are fundamentally distinct, with the later having a superior human value because it is the manner through which our freedom comes into being.   As she puts it in the Human Condition:  To act, in its most general sense, means to take initiative, to begin (as the Greek word archein, ‘to begin,’ ‘to lead,’ and eventually ‘to rule’ indicates), to set something in motion. Because they are initium, newcomers and beginners by virtue of birth, men take initiative, are prompted into action.”

The error happens when I describe ‘worldliness’ as “the originary mark of our existence…that builds poetic dwelling.  Such building, however, follows from the releasement into the Way of building that is shown with the dynamic appearance of Nature.”   The error resides in the claim that poiesis (making) is an expression of our originary mark, and one that bears the stamp of Becoming -- the dynamic appearance of Nature I will later call ‘ceaseless nativity’ – which is actually a conceptual construction based on this ‘error’ of collapsing work and action.  This (erroneous) claim resides in the assumption that the originary mark of ‘natality’ – that we are beginners, initiators – is only the basis of our capacity to act and disclose freedom, but also the basis of our capacity to act, to make, and to imitate creation.  In other words: action and work are on the same spectrum, and not existing under distinct conditions (existential locations). 

Action is the hallmark of freedom for Arendt because it is outside the logic of necessity, outside the means/ends logic.  Action is outside of intentionality.  Action is event-like, for Arendt, which means it expresses the mark of natality: like our birth, it can never be replicated.   Fabrication (making) exists partially within the sphere of necessity. Work is intentional.  

But what of art, the making of art, specifically, music making,  , which is always the example I have in mind when I write of poiesis?  Is the 'making' of art not happening in the threshold where the intentional and unintentional meet?  I believe this to be the case,  and here is where my ‘error’ is rooted.  But it turns out that it is Arendt who has mis-lead me,  specifically, with the examples she gives when she wants to illustrate thinking: the example of flute-playing, the one she borrows from Aristotle, which, she says, we don’t do because we have to do it (it is outside the logic of necessity), but only because we can.  The playing of music, in other words, is something we do in-and-for-itself. Is music-playing poiesis or action, fabrication or freedom?  This case presents a serious problem because there is no 'worldly' outcome, nothing left behind, nothing concrete that is made...aside from the recording of the performance (be it the bootlegged copy of  live show or the studio session).

This all brings me back to the focus of the meditations under focus these days, and leads me to recognize that I did not so much make an 'error' as offer an alternative, which is another way of describing a 'critique.'  Let me reiterate what I have been claiming that past week or more:  our encounter with the primacy of the primal, the Way of Nature, is where and when the event of appropriation, the disclosure of Being’s ‘strange ownership,’ happens (cf. the examples of Nietzsche and Thoreau)   But the disclosure of this ‘strange ownership’ indicates that we are, in fact, not free, but, rather, subjects of Being, specifically, subjects of the force of Becoming.   My ‘error’ is thus really a critique of Arendt's humanism, which is the basis of her declaring that humanity is freedom: “Man does not so much possess freedom as he, or better his coming into the world, is equated with the appearance of freedom in the universe; man is free because he is a beginning…”(Human Condition)  My critique suggests that 'freedom' is hardly a human phenomenon, but, rather, a phenomenon of Life. Put otherwise,  freedom is human insofar as it is our ‘translation’ of encounter of the originary force, our rendering (in the sense of writing, or art, music-making, etc.) the dynamic Becoming of Being.  In OPM 168 (8/1/04) I write: “Freedom is the releasement into this dynamic process, a process that shelters the possibility of creation.  To be with the Way of Nature is to be gathered by this most dynamic process…”, to experience Contact!

I feel as if I may have written myself through the perception of my reading of Arendt as an ‘error’  and reconciled myself with my own position, one that renders my reading a ‘critique.’   And the critique is one of the cosmopolitan and urban thinker, and certainly one who would in no way be described as a ‘naturalist.’   What is strange to me, however, is how, despite the strong naturalist impulse of my own thinking I consistently return to the human community, to what in OPM 169, written this day ten years ago, I call the ‘adoration for the human community’ that follows from the ‘love of all living beings.’  Perhaps living in such close proximity to Manhattan when I was writing ten years ago? (In fact, ten years ago this week I was on my way to Madrid for the International Network of Philosophy of Education).   So, in retrospect,  it doesn't seem so strange, but is, rather, a disappointment of sorts.  And this just another expression of my recurring doubts about the humanism that remains at the center of the meditations.   Indeed,  if the writing made a decade ago ultimately produced the book titled Being and Learning, that is because Being (and not the human being) is prior and principal.  In turn, what is so obvious to me today (a decade later), and that became very clear to me in the week I was 8 miles north of my house and perched on the shore of Casco Bay at the top of Town Landing Road in Falmouth Foreside, is the fundamental relationship of Being and Learning presumes the reduction of Learning to ‘meditative thinking’ that is itself reduced to the modality of the solitary thinker, specifically the thinker who is moving ‘alone’ on the primal ground in concord with the primal flow.  Again, my exemplars are Nietzsche’s and Thoreau’s ecstatic experiences while hiking in mountain forests.  They were ‘alone’ but hardly ‘lonely,’ yet solitary subjects in the sense of being subjected to the profound force of Nature: Life! 


It may be the case that the ‘mindfulness’ that I wrote about this day ten years ago is in fact an implication of the ecstatic experience with Nature that is certainly an exceptional but not exclusive experience.   But it doesn’t necessarily follow that the experience has to be reduced to that ethical implication; or that the implication needs to take descriptive priority over the experience, which is what I seem to be doing in the meditations.  It seems, then, that the real error I have discovered is the mistake of allowing my writing/thinking to be influenced by the dominant humanist conceptions of education.  

1 comment:

  1. 3.0 (Bar Harbor/Acadia, ME) - I wrote 10 years ago about "the 'error' is based on my collapsing ‘worldliness’ with ‘natality,’ ‘work’ and ‘action’." I'm surprised that I made that "error" because I had studied Arendt so intensely back at the New School when I was the TA for the first ever grad course on her that was taught by Jerome Kohn and Richard Bernstein back in spring semester 1990. For me it was like Arendt boot camp, as we read all of her major works in the short span of a 13 week semester! I was often scrambling to keep up. And the work v. action distinction isn't all that complicated, especially when you reduce it the difference between a doing that leaves something tangible or "worldly," i.e., work, and a doing that leaves no trace and is more or less an event, experienced in the moment that has unforeseen consequences and is only remembered in the minds/hearts of those who witnessed it and/or received an account. And I have no idea how I could possibly reduce "natality" to "worldliness"?! That just doesn't make sense. And it also doesn't qualify for the exegetical method I've only now discovered that I use in my work. During this summer of writing I have been proceeding as I usually do: taking sentences, fragments, from texts and interpreting them as I will. That usually entails focusing on the bits and pieces, the words, tracing their origins and doing some etymology. I learned the approach from Heidegger, more or less. And he was criticized for finding or creating obscure and arcane etymologies. Classicists were not impressed. I suppose those "strong" readings were influenced by Nietzsche who broke from the boring philology of his time, left the academia, and mic dropped "Birth of Tragedy"! My point is that when you take a sentence or a single fragment or even the title of a painting, such as I did with Goya's drawing "Mas Provecho Saco De Estar Solo," which over the course of my exegesis became "El Provecho De Estar Solo." I hadn't fully realized the poetic license I take when I work, making or taking aphorisms and in a sense refashioning them. I have a method of selecting a fragment and reading it in any way it wants to be read. That allowance is granted not by the license of the interpretation, but by the text itself, which is "illegible," that is to say, can not render a final reading. However, and this is the point I am trying to make, there is the freedom to respond to the text in any way it appears to be speaking to me, and then there is making a mess of a text by collapsing or forgetting distinctions, for example that the author most definitely intended to sustain. Yet that brings me to the "confusion" over the distinction between "work" and "action" or what I called the "error". That error is invited by Arendt at the end of the section on Work in "The Human Condition," where she discusses the "work" of art and thereby makes the transition from work to action. Above in 2.0 I wrote, "The playing of music, in other words, is something we do in-and-for-itself. Is music-playing poiesis or action, fabrication or freedom?" The making of art is happening in that threshold in-between "work" and "action". That much is clear. And this threshold is obvious with worldly or tangible works of art: painting, sculpture, etc. These are objects. It's more complicated with the performing arts that have the event-like experiential quality of free action.

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