For the past two days I’ve been
trying to take up a passage I read at the end of Thoreau’s “Ktaadn” essay. I had the intention of writing about it the
day I first read it, which was three days ago, and then the following day, and
then, finally, yesterday when I even set up the discussion, or so I
thought. So it happens today, this
morning, and that seems really appropriate given what was written this day ten
years ago. I’ll begin with the two
moments from 7/26/04 that jumped out at me, both of them quotations. The first I’ll cite is the quotation that
ends the meditation, which is from the Taoist Chuang Tzu:
“Nature is not only spontaneity
but nature in the state of constant flux and incessant transformation. This is the universal process that binds all
things into one, equalizing all things and all opinions. The pure man makes this oneness his eternal
abode, in which he becomes a ‘companion’ of Nature and does not attempt to
interfere with it by imposing the way of man on it. His goal is absolute spiritual emancipation
and peace, to be achieved through knowing the capacity and limitations of one’s
own nature, nourishing it, and adapting it to the universal process of
transformation…Having attained enlightenment through the light of Nature, he
moves in the realm of ‘great knowledge’ and ‘profound virtue.’ Thus he is
free.”
The second quotation, which my
marginal notes on the draft highlight as ‘Key!!’ and ‘needs to be
unpacked,’ is from Heidegger, and
follows the sentence when I write: “Meditative practice, the experiential modality
of poetic dialogue, expresses the ‘abground character of philosophy.’
[Heidegger:] “Abgrund strictly ‘earth
going down(wards)’, i.e., ‘unfathomable depths, abyss, underground, etc.’; Ungrund, ‘unground’, i.e., ‘groundless
ground’; and Urgrund, ‘primal
ground’.”
And now the quotation from
Thoreau’s essay:
“Thus a man shall lead his life
here on the edge of the wilderness, on Indian Millinocket stream, in a new
world, far in the dark of a continent, and have a flute to play at evening
here, while his strains echo to the stars, amid the howling of wolves; shall
live, as it were, in the primitive age of the world, a primitive man. Yet he shall spend a sunny day, and in this
century by my contemporary; perchance shall read some scattered leaves of
literature, and sometimes talk with me.
Why read history, then, if the ages and the generations are now? He lives
three thousand years deep into time, an age not yet described by poets. Can you well go further back in history than
this? Ay! ay! -- for there turns up but
now into the mouth of Millinocket stream a still more ancient and primitive
man, whose history is not brought down even to the former. In a bark vessel sewn with the roots of the
spruce, with horn beam paddles, he dips his way along. He is but dim and misty to me, obscured by
the aeons that lie between the bark canoe and the batteau.”
Exhibiting these three quotations
side by side is an example of what I have been for the past month or more
calling my ecumenical attitude, which is a label I use to describe my
unapologetic close comparative reading of authors who are often writing from
distant times and places. The
ecumenical attitude is one that presumes it possible and desirable to find a
common ground between authors so as to recognize that however distant they may
be from one another in time, they indeed share a common ground. Of course I’m not simply punning but with
‘ground,’ which is conceptually what is common between the three
writers/thinkers I have just cited, but making an allusion to ‘ground’ as the
‘common’ in the way that Thoreau used ‘common
sense’ in the citation I made of him in my commentary on July 23rd
OPM 159: “the solid earth! the actual
world! the common sense! Contact! Contact! Who are we? where are we?”
Although on that day it was
necessary to share the total and complete mind blowing reaction I experienced
when I read “Who are we? where are
we?”, I had very much wanted to come back to that keystone in the middle of the
quotation: the common sense!
My first response was the memory
of reading Arendt on sensus communis,
which she calls our ‘sixth sense.’ It’s
a brilliant on her part, as I recall it.
We have, she tells us, our five senses: sight, hearing, touching,
tasting, smelling. And each of these, or
even combined in any possible way, are primary insofar as they offer us our
non-negotiable individual take on what’s been offered to us. I recall this also in connection to Immanuel
Kant’s elegant way of describing the immediacy of aesthetic ‘taste’: it immediately smells good or bad, so to
speak. Now, the immediacy of the way
things appear to each and every one of us individually is, of course,
absolutely crucial for Arendt, as it’s part of the way our singularity
manifests itself in the world. But, ah,
yes, there’s the world! The place from
which these things appear to us. And we
should (I believe) recognize that the world is actually a multiplicity of
worlds when we think of it materially was what we make aka culture. (Arendt calls the ‘world’ what me make or
fabricate, or what both brings us together and separates us). Now, the world (or worlds) is what we share
and what is common between each and every one of us. We might perceive its smells or sounds
differently, but we will, insofar as we are capable to perceive whatever it is
that is appearing, agree that there is smell or sound. In this sense we can talk of sensus communis, or the communal sense,
and thereby register what Thoreau exclaiming with his “the solid earth! the actual world! the common sense! Contact!
Contact!”
Of the three ‘grunds’ Heidegger lists, the one that names the solid and actual, with which we have Contact!
Contact!, is Urgrund ‘primal
ground.’ I say this because originary
thinking is originated (initiated) by the Contact!
Contact! with this ‘primal ground’.
But here is where I find myself
facing question that requires a decision, not a final one, of course, but one
that expresses the taking of a position.
And the decision takes the form of a response to the following
question: if the Urgrund is the common sense (sensus
communis) we all share aka the solid
earth! the actual world!, then how
does it follow that us philosophy types are perceiving an exceptional modality
moving on that primal ground?
The question is motivated by
Chuang Tzu’s talk of “the pure man” who makes the primal ground “his eternal
abode, in which he becomes a ‘companion’ of Nature…Thus he is free.” (And, of course, I’m especially interested
in his talk of ‘freedom’ and ‘emancipation’ and ‘peace’.) The motivation is also coming from this
figure that Thoreau ‘perceives,’ the one who “lives three thousand years deep
into time, an age not yet described by poets.”
And beyond that figure there
is another who “turns up but now into the mouth of Millinocket stream a still
more ancient and primitive man, whose history is not brought down even to the
former…He is but dim and misty to me…” In my reading, we have multiple figures,
personae, or what I call existential modalities, that in some way are moving
along the solid earth, this actual world (or else we couldn’t perceive them,
yes?) but at the same time, they are dwelling in an uncommon place, in a relation with Nature that, as Thoreau puts it,
is dim and misty to us. Indeed, all
these figures are too distant for me to perceive with any clarity -- the one living three thousand years deep,
the still more ancient one, and the pure, free and one at peace. Yes, I share a world with them, but it’s not clear to me what world that is? And so
from where I am they remain not simply obscure to me, but exceptional. So here then the decision is made and the conjecture
offered along with it, and a conjecture it must be because I can only guess or
speculate (yes, speculate!) on that which remains dim and misty to me (and
something tells me that when Warburg spoke of an ‘ancient book’ he too was only
speculating on what he never actually read but only heard about…his was a
lesson told to him but one who had himself been told of one who had heard about
a book….so on and so forth!). Conjecture
in the form, then, of a fragment distilled from that cross road where the
writing (the citations!) from ten years ago this date meet the writing (the
citations!) from today:
Although
it’s not entirely clear to me where
they are, nor who they are, I
perceive figures, personae, and without thinking, but only going with the
immediacy of that dim perception, they appear to be on the primal ground. Are they at ‘peace’ or ‘free’? This I certainly cannot say. But, anyway, it seems to me those words are
mine and not theirs.
3.0 (Friday, Portland, ME) "Nature is not only spontaneity but nature in the state of constant flux and incessant transformation". Is Thoreau including humanity in his category of "Nature"? I ask this because it seems that we have inherited this discourse, probably stretching all the way back to Aristotle, but certainly since the Romantics who immediately proceeded Thoreau, that Nature is the grand spectacle that we are observing and sometime can enjoy from within, like a carnival. But this doesn't make sense. We are captivated by Nature because we are in fact captivated, caught up and inside it. How could we possible act as if we were not? If one studies this fragment from Thoreau one can understand how in contrast to the western narrative that Nature is this collection of biological repetitions, he is discovering humanity in Nature: "only spontaneity but nature in the state of constant flux and incessant transformation." When the New England transcendentalist communes with Nature, this is what he discovers: his own freedom, his natural born spontaneity, the flux and incessant transformation of human life. There is nothing less stable than life itself, nothing less precarious and vulnerable. It is the source of the omnipresent anxiety that haunts us. We have foggy memories of what has happened, and are completing uncertain about what is going to unfold. We are already and always "free" and what we have created are institutions that manage that freedom. Laws. But the wild man is within. This is the source of the myth of the wolf man who comes out during the full moon. Flux and incessant transformation. We want desperately to experience the joy and serenity of the morning birds who fill the air with song. We want to be like them in the way they live with the flux and transformation. We want to participate in that dynamic flow that is arriving from some unknown source. And we want desperately to move with this flow some unknown bay where the river floods. This is why we create art. This is why we write. This is why we play music.
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