Those tiniest of biting bugs,
‘noseeums’ (as Thoreau calls them), are hungriest in the early morning, just
after dawn. I know this from the
experience of being the breakfast buffet this morning as I sat out on the brick
terrace drinking Columbian and reading Kerouac. Talk about the ‘event of
appropriation’!
This brings me to the musings on phyusis, phenomenology and experiential
learning. Last autumn, which seems like
a long time ago now, I wrote a paper I almost didn’t write at all and wouldn’t
have written if not for Tyson’s quite confidence in me. I’ll never forget driving over to the Asian
fusion place in New Providence the night after I hit the wall one final time on
a paper that I’d dreamed up, wrote and actually presented (in parts) to an
international conference of philosophers of music education. (That is a story in-and-for-itself, to borrow
one of my favorites phrases from Hegel.
A story of the turn I took two summers ago, in 2012, from the studio
[metaphorically speaking but somehow related to my radio work at WRHU] to
philosophy as music-making. It all
happened through DuBois, and that famous episode of his John Jones at the New
York City opera house being swept up by Wagner, and my desire to make something from that moment, from
that story! So there I was later in the
autumn of 2012 looking here and there and discovered this international society
of philosophers of music education; and in that discovery I discovered they
were meeting at Teachers College, Columbia U – my ‘refuge’ from time to time –
in August of 2013; and in that further discovery and discovered further that my
friend and colleague Megan Laverty was one of the keynote speakers! Of course, that’s when the sardonic smile
came across my face, because I knew Megan wasn’t doing much of anything on
philosophy of music education, or philosophy and music, or music and
philosophy. So I was more than ready to
tease her, and tease her I did by showing her my discoveries the next time we
met, which had to have been only a week or so later. Anyway, her mix of embarrassment and relief
lead her to concoct a plan to have me co-present with her at the keynote! I said ‘yes’ and that’s when my desire to make something with DuBois’ story ended
up with me dreaming up a paper and presenting it last August. It actually went really well, and even
better the night before when I did a workshop with my friend Randall Allsup who
was one of the conference organizers and teaches in the music department at
TC. Randall is a supremely kind soul,
and I couldn’t be happier that one of my very own Hofstra grads, Mitchell the
tuba playing philosopher, is starting his grad studies under Randall’s guidance
this September!) Well, that brings me
back to last October, when the days are already getting way too short but the
air isn’t cold, just crisp, and there’s lots of brilliant yellow, good, orange,
and fire red leaves in all the trees, Nature’s big party decorations that are
meant to send us into the sleeping dead of winter with dreams of the colors of
spring, I suppose. So that Wednesday
evening in October was the end of a day of starts and stops, and flaccid
caffeine drinks, and then writing of the obituary to the dream that never came
into reality. I had the whole piece
carefully written (in my head, of course) and ready to read it to Tyson (after
we’d eaten, of course), and I did so with all the sincerity in the world. “I’m done, this one got away from me. I’m sorry, but it’s true.” “No, no, no, no, we can’t have that. No,”
Tyson said, shaking his head. I was
astonished and only slightly annoyed, as I don’t like to hear anyone tell me
‘no,’ but this was a ‘yes’ kind of ‘no,’ as in ‘yes, you can, and yes, you
will.’ Strange double-speak, but, in the
end, it worked! Tyson was right, and the
paper I wrote wasn’t the one I dreamed of, but, actually, one that I’m excited
about to this very day. Here’s the link
to the paper.
Now, I’ve been thinking a lot
about that paper this past week as I’ve been writing my commemorative
commentaries for this blog.
Specifically, the paper has been coming up with my thinking about the
question related to the felt tension between subjectivity and
intersubjectivity, solitude and community, which I tried to ‘resolve’
yesterday. The paper takes a very strong
view that is totally consistent with Being
and Learning on the matter of learning being fulfilled in the learning
community. On the other hand, however,
there is this unexplored assumption regarding the figure of the teacher, the
one I call Sage, or, in the paper, a charismatic leader who leads the
congregational experience that in the paper I describe as Pentecostal! What I
apparently left un-thought in the paper is the so-called ‘prep’ time of that
teacher persona. How does he get
himself ready to lead the congregation?
The answer isn’t all that complicated, especially since the example I
offer in the paper (actually, where the paper begins!) is the same John
Coltrane I wrote about yesterday as one of my exemplars. So if we ask the question about the sage’s
preparation, and we turn to Coltrane as our example, the answer is simple and
straightforward: practice. The sage
practices and practices. He falls asleep
practicing and wakes himself up when the horn returns to his lips and he blows
a note while still sound asleep. Such
are the hagiographical stories of Trane, and they are totally effective in
making the point about the discipline and dogged commitment to practice.
So where is this going? The resolved question of the sage’s
preparation is importantly related back to the subjectivity/intersubjectivity,
solitude/community question insofar as it redeems solitude as the necessary
time away from the community, away from the congregation, which is not simply a
time of preparing for and anticipating the return, but also a time defined
mostly as being apart from the community.
The time of solitude is just that: a time of being solo, of being alone
but not lonely (as Arendt puts it). It
is that time that Thoreau describes when he reached the summit of Katahdin,
which, it turns out, he accomplished as a solo hike but all the while feeling a
wholly different kind of community, a congregation with Nature, and, what’s
more, by his own words that I cited earlier this week he experienced the
‘strange ownership’ Heidegger describes as happening with the ‘event of
appropriation’: “There was clearly felt the presence of a force not bound to be
kind to man… What is Titan that has possession of me?”
The point is that hearing the
totality -- what the Buddhist call the ‘Wondrous Sound,’
and Heraclitus the ‘Hidden Harmony’ – and experiencing the ‘event of
appropriation,’ is that originary moment that gets originary thinking
underway. Here I am repeating what I
have written many times before in this blog, but it is worth repeating if only
as a reminder that the important shift from ‘ego’ driven calculative cognition
to meditative thinking is one that happens when we seized in the manner
described by Thoreau by the titanic force of Being, disclosed to us through
what yesterday I felt inclined to call Grace.
Of course, to call it Grace is to apparently name this force something
other than what Thoreau is describing when he says he “felt the presence of a
force not bound to be kind to man…” But
it only apparently so, because, in fact, Grace is only ever the way this force
that is, precisely, not bound to be
kind is in fact being kind to us. It could be otherwise. Just ask Job, or, for that matter,
Jesus. Remember His passion? “Father, why have you forsaken me?” That question asked in the state of total
anguish and despair, and the doubt that emerges from the feeling that, in the
end, perhaps God is not bound to be kind to us?! But…then…there’s Grace, and the answer to
that doubt in a moment we feel ourselves chosen, for just that moment, and
offered, then, some peace and some freedom.
All this seems to have taken me
far from the intended musing on experiential learning, which is where I had
planned to go this morning, but, perhaps, in the end, that’s precisely where I
went insofar as I remained close to the ground, and the examples I gave are
full bodied ones: Coltrane practicing, Thoreau on the summit of Katahdin, Jesus
on the Cross. However, in the end,
without yet taking up the writing from this day ten years ago, it seems I’ve
returned to the blues, to yet another insight into that art form that is
unequalled in its capacity to convey that point of departure, that first moment
of disclosure.
And what then is to be taken up
from the writing that happened this day a decade ago? Perhaps the recognition of the titanic power
is one way of understanding what is implied by the claim that “singularity” of
the self is “cancelled”. It’s difficult
to know how this remains consistent with most of what has been written, and how
it is not simply a contradiction but an error.
For in no way can singularity be ‘cancelled’. There may be a context that is more fully
disclosing of singularity, and, likewise, one that is less hospitable. But only death can brings closure to
singularity. Life, on the contrary, is a
seemingly endless possibility of opportunities for the disclosure of
singularity. The other moment that
stands out from today’s writing is the use of the term ‘spirit,’ which is
infrequently appearing in the meditations.
‘Spirit’ is introduced what is cared for by the ‘devotional modality.’ It turns out that the ‘cancellation’ written
of at the beginning of the meditation is referring to the turn toward listening
and receptivity and thus away from the ‘self-enclosed ego.’ “Cancellation is the silence of compassionate
listening…the devotional modality of the learner…[that] takes care for the
spirit.” And “spirit is the creative energeia unfolding as the dynamism” of
the work unfolding after meditative thinking, what I earlier (in my March
commentaries) described as making of art, or doing something with freedom. Today, in light of the reflections on Grace,
I would add that the work of the human spirit is always a secondary act that
follows the primary act of the Holy Spirit.
Here, then, a fragment from
today’s writing:
We
humans have the habit and tendency to animate places based on the perceived
power inherent in them. This habit and
tendency comes mostly from our fear of these places; but this fear is not
generated by them, for they do not threaten us.
Rather, they unwittingly mediate an effacement with mortality. Without an invitation, we go to them and they
show us our finitude: the ocean can drown us; the mountain can fall on us, or
we from it; etc. But the same is true
when we feel at home, safe and at peace in these places, when they seem to
embrace and care for us. Then too we
animate them with the same power, but feel gratitude, and humility, and even
communion there.
3.0 (Thursday, Portland, ME) - This morning I have a realization when reading the 2.0, which at this point seems really far from the original writing, and I might just have to change my protocol and pull those three ring binders off the shelf and read the original OPMs that are collected therein. I've also had the realization that, well, if I'm being honest with myself...I tend to carry on a bit. Now, I've been humbled the past three months by parenting. There's nothing that can quite mess with your confidence and/or humble you like a crazy teenager! Thankfully it's been the standard adolescent moments of rage, which, thankfully J recognizes as going a bit too far, and expresses some remorse afterwards. Nevertheless my inability to "control" him has had an impact on my sense of confidence. But I've taken it in stride, and this has been the big shift, and its had what I believe is a positive influence on my work. I'm now working from the perspective that less is more, which is why the 2.0 commentaries seem to go on a bit. Of course, ten years ago the daily writing was my main project, and if I was working on any side projects, such as the paper for Tyson and Megan's book that I mention above, it's not clear. I was certainly caught up with some reading, as noted. And what's more I was consistently focused on "captivation," which is still something I'm super curious about. Coincidentally, the Du Bois I mention above is the same material that is central to the paper that was published this Monday in the Journal of World Philosophies. "Captivation" describes being taken away by the significant object, the work of art. And in my current project I replace the work of art with the book, the significant object of study. So now I'm describing study as an aesthetic experience, although I have said as much. But the description of the event of study is virtually the same as the one that describes the aesthetic experience. The difference is that the moment of captivation, which is the first moment of reading, gives way to the moment of separation, the second moment of writing. I've yet to describe the post-captivation moment, and I haven't made an account of writing as annotation, or what I'm calling the digesting of the reading, the collection of fragments.
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