Warburg’s ‘old book’ was a real inspiration and arrived at
an important moment in this commemorative writing. I was beginning to lose the thread of the
original meditations. Or perhaps I was
reliving the original loss that happened ten years ago? Whatever the case, the material was appearing
to me with dulled features, the sharpness of the first weeks of writing no
longer perceived. Was it a matter of
mood, or the existential situation I as I read the material? In some ways, yes.
But I sense the problem I found myself in was more of a hermeneutical
one, a problem of reception, or how I was reading the material. An example of this problem is the reading
of the material in the context of Mt. Desert Island. The writing of ten years ago was not yet
happening in the forest of eastern Long Island, so there was a disconnect, or
so it seemed. Of course this just
points to an apparent aporia I had not considered until this moment: the inevitable disconnection between the
locations where the writing originally happened and the locations where this
writing would be taken up again.
Unavoidable, but necessarily problematic?
All that to say that when I encountered Warburg’s ‘old book’
[cf. the epigram cited and discussed in OPM 145, July 9th] it pointed me to a hermeneutic location where I could perceive the
deeply ecumenical spirit of the writing. [cf. OPM 117, June 10th for a discussion of Ewert Cousins’ influence
on the inter religious aspect of my thinking]. To continue the dialectical theme I
introduced the other day I would identify the ecumenical dimension of my
thinking as the spiritual, or the way Spirit gathers my thought. Here it is important to note that spiritual,
spirituality and Spirit are distinct yet closely related terms for me. The spiritual denotes the particular force
and character of a text, specifically that writing that makes up Warburg’s ‘old
book.’ My thinking is gathered through
an exegetical reading of the material from this ‘old book.’ Spirituality is a term borrowed from
Foucault who defines [cf. OPM 145, July 9th] it as
the necessary work undertaken by the
thinker to experience an encounter with the truth. Spirituality is what I call the anticipatory, and preparatory work; the work that conditions us to become adept at
the turnings, such as the turn from
the mind to the heart. In this way,
spirituality prepares us for the experience of compassion. In turn, compassion is an example of the
event of appropriation, when we are gathered into an experience of the totality,
which has a host of names, and one of them is Spirit.
Spirit is complemented and completed by Nature, and for this
reason Nature is another name for the totality. I would say that the names are aspects or
perspectives disclosed to us. The name
Being would be the most fundamental name because it shows what is disclosed in
each and every aspect that is disclosed to us.
Unfortunately, the writing experiment too often described the disclosure
of Spirit, with the writing representing almost exclusively the exegetical
reading and even translation of the ‘old book.’ Here, then, I arrive at perception of the
writing to come. I should say, rather,
that I return to this perception of the writing to come because this future
writing I perceive is a phenomenology of Nature that called me two years
after completing the writing experiment.
I heard but did not receive the call in a set of papers I completed and
presented in 2006 and 2007. I hear this
call again when I recognize that alongside the ‘old book’ of ancient
philosophies we have the proverbial book of Nature and the exegetical writing
it inspires when people 'read' Nature's book. Such exegetical writing
also appears across time and space, along a wide cultural spectrum, and demands an ecumenical attitude when we take it up. How else could we begin to understand the
kinship between the Wabanaki petroglyphs and Thoureau’s writing? Of course, this question only accounts for a
hermeneutics and not for a phenomenology, and the writing to come that I
foresee is the latter…unless that writing will have mimetic moments! Or, perhaps, in the reading of the book of
Nature we experience a collapsing of the phenomenological and the
hermeneutical?
I want to conclude by connecting the just written commentary
to a quotation of Heidegger that is cited in the meditation I completed ten
years ago today: “Therefore the field of
vision is something open, but its openness is not due to our looking…It strikes
me as something like a region, an
enchanted region where everything belonging there returns to that in which it
rests…And the enchantment of this region might well be the reign of its nature,
its regioning…”
First, with this
‘field of vision…not due to our looking,’ one understands the perspectival, or
the ways we experience fundamental ontology through the distinct encounter with
the disclosure of Spirit, Nature, Being.
Second, with this ‘region…enchanted region where
everything…returns...” we understand the gathering of the self into the
location where the fundamental is disclosed.
The latter precedes the former, although an act of the will
(preparatory, anticipatory) takes us into the receptive modality where we can
be gathered. Here, given the just completed
commentary, I want to conjecture that the exegetical work of reading the
complementary ‘old book’ and book of Nature is an example of the preparatory
and anticipatory work that makes us ready for meditative thinking.
Finally, a fragment distilled from the writing completed
this day ten years ago and the just completed
commentary:
All writing is
preceded by reading. But this is not
to say that writing is simply a translation of what has been read. Yet there is no question that all writing
is, ultimately, mimetic. The challenge,
then, is to make a copy that combines such disparate elements so as to disclose
originality.
3.0 - (Sunday, Portland, ME) - I'm sensing some kind of reverberation, some resonance, and it's causing me to wonder about memory. This feeling started when I encountered the Warburg citation a few days ago in the 2.0 commentary. I'd been thinking about Warburg's library, or what I understood of the way it is organized, since I came upon this category of the Deconstructed Library. "Came upon" is a self-deprecating way of saying 'invented,' but there again is the strange way that memory seems to be working these days. Because, for sure, I vaguely recall encountering an article from a library science journal that was exploring some aspect of what I am calling the Deconstructed Library... I can't recall if it was a take on Foucault, Benjamin, or Borges. Nevertheless, I will make a catalog search of the category in the fall, when I turn to the editorial and expansion work, when I fill in the gaps that I am purposely leaving as I write the first draft of the monograph. But the strange working of memory really hit home on Friday after I had finished my writing and wanted to follow up on some ideas that I was half-consciously "borrowing" from Glissant. Last summer I read and discussed Glissant's 'Poetics of Relation' with Frank. And so a year later I found myself reviewing my annotations of the book and encountering more than a few of the ideas I've been working with: Chaos, Opacity, Errantry, Circularity. I vaguely recalled Glissant when I was writing on 'circularity' in the Intro to the book. But he will certainly be a voice in that section. I was quite aware of Glissant when I introduce 'opacity' last week, and I may have cited him. [There's the whole 'problem' of memory...the gift of focusing intensely on the present has the implication of creating a mist or fog with respect to recalling. The dinner that was enjoyed intensely can hardly be recalled a day later!].
ReplyDeleteBut the fragment distilled from OPM 150 is truly uncanny...it's as if I wrote it last week! As I noted in yesterday's 3.0, the dialectic of a philosophical education that I am describing in the current project has three principal Moments: Reading, Writing, Discussion. And so I'm happily surprised to read this fragment: "All writing is preceded by reading. But this is not to say that writing is simply a translation of what has been read. Yet there is no question that all writing is, ultimately, mimetic. The challenge, then, is to make a copy that combines such disparate elements so as to disclose originality." I wrote this...20 years ago. And 20 years later I am expanding it exponentially. So I wonder: is what I am writing this summer the "writing to come" that was prognosticated 10 years ago?
3.0b - The above was written yesterday, July 14th, but I never published it! oh well.
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