OPM 137, written this first day of July, did not
make the final cut. As I wrote
yesterday, the organization of meditations into a ‘book’ titled Being and Learning was ambitious and
somewhat arbitrary, as the writing is neither written nor organized in linear
format. Without becoming lost in
delusion, I still want to note that there have been many examples of
fragmentary writing collected without any defining organization. Heraclitus fragments and Nietzsche’s
posthumously published Will to Power
are the two examples that immediately come to mind. And when I consider those two I regret that I
didn’t have the patience or discipline to write fragments! For some reason I was unable to truly
distance myself from the dominant narrative forms of writing, and here I am
using ‘narrative’ in the sense of continuity that doesn’t necessarily denote a
linear progression. My colleague and
good friend Tyson Lewis, who was featured in an video conversation (March,
Albuquerque) described Being and Learning
as ‘the first epic in philosophy of education.’
I thought that was a unique and interesting way of describing the
writing. But it also points to what I
now see to be a problem in the writing insofar it truly aspired to be a kind of
pilgrim’s tale, a chronicle of a year of daily meditations where many of the
same concepts were contemplated again and again, and described again and
again. This is precisely what is
identified in OPM 137 as ‘experiential philosophy’ “when ‘knowledge’ and
‘understanding’ manifest as ‘action.’ With this move we identify wisdom as
‘enactment.’ To ‘enact’ wisdom is to ‘practice’ the truth. Learning is thus a practice of the truth.”
Later in OPM 137 I say that this practice “is also
named poiesis,” and then cite
Heidegger who says, “Poetry is what really lets us dwell. But through what do we attain a dwelling
place? Through building. Poetic creation, which lets us dwell, is a
kind of building.” This all picks up on
the commentary I wrote yesterday in commemorating OPM 136, when, like today, I
reflected on the incomplete and unfinished project; specifically, the
unachieved poiein. Heidegger says that poetic creation is a
kind of building. And what has been
emphasized in the meditations, and is reiterated in OPM 137, is that philosophy
can and should be a practice that enacts this kind of poetic building through
dialogic learning, which means that it always requires a congregation. But today, as I reflect back on what was
achieved and what was left unfinished, I question this assumption for two
reasons. First, because the writing experiment was itself a intra-dialogic
experience, a congregation of the self with itself, or what Arendt describes as
the silent dialogue with myself (eme
emauto). Were the meditations
Cartesian after all? And this brings me
to the second reason for questioning the assumption: writing, for me, is and will continue to be a
solitary undertaking. The project of
originary thinking is originating something (aka evoking thought) because is emerges
from the authority of the author that is rooted in singularity. Originality is the voice of natality, and the
writing that expresses this is the one that is made by a single hand
(metaphorically, of course, because today writing happens almost exclusively on
a keyboard and is made by the coordinated movement of two hands). So while OPM 137 culminates with a critique
of the “’busy-ness’ of atomic individuals who move about dis-engaged and
self-consumed on the isolated island [of] contemporary schooling…” it seems
that this point fails to capture the nuance of the solitary (but not lonely)
singular meditative thinker as an important interruption and contrast to the
hegemonic figure of the ‘student’ in contemporary capitalist schooling. As I write the final thought of this
commentary I am reminded of an essay I wrote for the volume on Hannah Arendt
(edited by Mordechai Gordon), which was a critique of cooperative learning as a
practice that eclipsed thinking, the kind of meditative thinking that only
happens when the singular person is granted the time and space to be alone and apart from the 'congregation'.
How strange that I would move so far from this position and yet,
paradoxically, retain it throughout the
writing experiment?!?!?!
3.0 (Monday, Portland, ME) - To be alone and apart from the congregation. Indeed! That's what I've been focusing on with the current project, with the writing that has been focusing on the 'essential solitude' of study, what Goya calls "el provecho de estar solo." Reading backwards, as it were, I realize that I am very much still in the midst of a critique of schooling. However, I am now attempting to redeem autonomy and solitude from the degenerative form it takes with individualism. As described above the OPM project was focused on originality, the "O" in OPM. It was an experiment in poetic thinking: "in OPM 137 I say that this practice 'is also named poiesis,' and then cite Heidegger who says, 'Poetry is what really lets us dwell. But through what do we attain a dwelling place? Through building. Poetic creation, which lets us dwell, is a kind of building." The original 2004 project happened before I encountered Irigaray's work, which emphasizes, in a kind of Arendtian way, the necessity of solitude. She uses Heidegger's language to describe that solitude as "dwelling" and this dwelling as a building, a building of the self. This is the productive or formative kind of solitude that is a positive negation of atomism and individualism.
ReplyDeleteAs for the form of the book, Tyson's description of it as an 'epic' is helpful, insofar as the Sage is the epic hero of the philosophical education unfolding with the dynamic relationship of Being and Learning. However, part of me wonders what the final book would have looked like if I had given myself the time, that is to say had the patience, to carefully comb through the OPMs and extract fragments, or what I called later, "sentences."