FINALLY taking advantage of summer in Portland and rode my bike
down to my favorite coffee house Crema. When I first moved to Portland
two years ago I was a regular before realizing I wasn't able to do anything
that required a high level of focus. That realization coincided with my
discovering the 7th floor of the USM Portland Glickman library, where there is
a fine reading room that is most conducive to writing. But these June
days are the days of dialing it down, so Crema beckoned and here I am.
That's the context.
There are actually three prompts that get this commentary
underway. The first is the 'I/Thou' category that was introduced a few
weeks ago, but has been appearing daily for the past week or so. It
really jumped out at me yesterday when I was recording my reading of the
meditation, although it came to mind yesterday when I was writing my commentary
and contrasting subjectivity and intersubjectivity, a distinction that is bit
more complicated that it may appear, especially in view of Arendt’s concepts of
singularity and plurality. Arendt’s is
not a relation of intersubjectivity in the sense that I first developed it (in
my doctoral dissertation) via Habermas, Dewey and Freire. The intersubjective modality marks a kind of
horizontal transcendence into a ‘third’ existentiale (location of human
being). For Arendt, the ‘third’ is
constituted by a public realm that constitutes a space for freedom where all
‘can be seen and see, hear and be heard.’
It is quasi-Heideggerian in the sense of its post-human character. The intersubjective is wholly human, and it
is what arises through dialogue.
Martin Buber was a very important source for my post-dissertation thinking
and teaching on intersubjectivity. And
it wasn’t simply his ‘I/Thou’ category.
While his central category was influential, it was the form of his
writing that inspired me during the writing of the meditations. Buber wrote fragments, and offered a unique
blend of religious existentialism.
The second prompt is ‘silence’. OPM 125 picks up where OPM 124 concludes: “The path of silence is the pathos of compassion.” (124) “Learning unfolds along the path of silence, the purposeful wandering we call poetic dialogue.” The path of silence, the gap, the open, etc., are all locations that offer the conditions for the possibility of dialogue. And insofar as they make this offering they also promise to form us in particular ways. While the Sage is the figure of the persona who is capable of guiding others into and through this location, the location always remains originary. Here, again, is the priority of location that demands a philosophical cartography. I feel the need to repeat this point because it is understanding that has only become clear to me in the past year. Repetition is a reminder.
The second prompt is ‘silence’. OPM 125 picks up where OPM 124 concludes: “The path of silence is the pathos of compassion.” (124) “Learning unfolds along the path of silence, the purposeful wandering we call poetic dialogue.” The path of silence, the gap, the open, etc., are all locations that offer the conditions for the possibility of dialogue. And insofar as they make this offering they also promise to form us in particular ways. While the Sage is the figure of the persona who is capable of guiding others into and through this location, the location always remains originary. Here, again, is the priority of location that demands a philosophical cartography. I feel the need to repeat this point because it is understanding that has only become clear to me in the past year. Repetition is a reminder.
The third and final prompt is the appearance of Karl Popper in OPM
125. The positivist Popper appears in
the wake of one of the few qualifications of that most central category: the
ineffable. The qualification: “the
ineffable, the unnamable and unspeakable beyond ‘fact/fiction.’” The appearance of Popper: “To be gathered
beyond ‘fact/fiction’ is to be unified by a communicative performance…that
produces meaning rather than asserting ‘bold conjectures and grand refutations,
‘ as Karl Popper might say. This
so-called ‘logic of scientific discovery’ should not be excluded from the
learning community a priori, and, on
the contrary, we must understand this particular way of approaching ‘science’
has the potential to be a specific moment or even occasion of poetic
dwelling.” This has to be one of the
most hospitable moments of this writing experiment, but not at all surprising
because of my prior ‘relationship’ with Popper, who I was compelled to read
carefully in preparation for the oral examination part of my doctoral
exams. I read Popper alongside Thomas
Kuhn, and didn’t identify the former as a ‘positivist’ until this was pointed
out to me years later. Indeed, when I
read Popper I did so with the memory of a Fordham friend who had studied him
and found him exciting. I was also
taken by his critique of grand theories that said too much, and therefore
disclosed too little. And also took
inspiration from the first part of his ‘bold conjectures and grand refutations’
formula. Of course, if the two parts of
the formula are two sides of the same coin then the bold conjecture is itself a
grand refutation and vice versa. I’d
like to believe the experiment was a grand refutation of the norms and
expectations of academic philosophy (what Arendt derided as the work of ‘professional
thinkers’). And I’d like to think that
the writing that was ultimately published as Being and Learning under the banner of originary thinking is a bold
conjecture of what one can write.
3.0 - Tuesday (Basking Ridge, NJ) - I'm in NJ and soon will be on the trains to Hofstra, for a very rare mid June campus visit.
ReplyDeleteCoincidence that Kuhn made a cameo in my commentary 10 years ago today. He showed up the other day when I was describing this original project as attempting to move my field into a moment of what Kuhn calls "revolutionary science." Popper's "bold conjectures" and "grand refutations" captured my attention when I was an undergrad. My girlfriend at the time, Brooke, took a philosophy of science course and was really taken with those twin categories from Popper. I'm not surprised it appeared in OPM 125. The spirit of the project was an attempt to be "bold" and to make "bold speculations" not conjectures. This project is poetic and not scientific. And in that sense the project is kind of inoculated from "refutation." How does one "refute" a poetic speculative philosophical writing? One can only really engaged in an internal critique and try to show where the speculation runs aground under its own weight, or equivocates. There's also a sense in which the evocative saying of the sage is "bold" insofar as it has to move the student or gather the community.