OPM 136 Writing this during the Dead Zone, when I usually
record the video of reading the meditation.
But the trip to Mt. Desert Island interrupted that part of the process,
and I’m not sure that I’ll be returning to the video recording. Indeed, so long as I properly cite the pages
in Being and Learning that correspond
to the meditation, what’s the need to record myself reading the
meditation? Originally the plan was to only
record myself reading the meditation, and making commentary, and then posting
that on my blog. Then I decided to write
commentary along with the video, as it seemed appropriate to document writing
with writing in addition to reading the meditation. And now I’ve come to a point where I’ve moved
a bit from the meditations themselves, and I’m writing what feels at times like
a documentation of the present state of my affairs, where I am and how what
that place is causing me to think. Have
I moved too far from the original meditations?
Perhaps, but it would be unfair to be too critical of the commemorative
blog posts, as they are indeed, in the spirit of the original meditation,
emerging from my present experience. The
crucial difference being while the writing in these days is more experiential,
and less experimental, that the original
meditations were exegetical and hermeneutical pieces, responding to
philosophical texts, mostly ancient.
So how might these two approaches overlap? The
conclusion of OPM 135 and the beginning of OPM 136 offer citations of
Heraclitus’ fragments, and, coincidentally (with the playing of the Dead Zone)
the fragments are organized around the mysterious ‘harmony past knowing.’ I focus a lot of attention on receptivity of
difference and the letting be of learning, which I reduce to the fundamental
phenomenological position of hearing. In
turn, I equate the hearing of this mysterious harmony as the receptivity that
lets learning happen and thereby gathers together the learning community, a
community that is formed around difference, or what Arendt calls
plurality. Learning is thus the ‘play’
or dynamic interaction of plurality, of difference. This is captured in Heraclitus’ fragments
46-47, cited at the end of OPM 135: “From the strain of binding opposites comes
harmony…The harmony past knowing sounds more deeply than the known.”
At the beginning of OPM 136 I misread the fragment
and pull out the ‘harmony past knowing sounds.’ It is simply the ‘harmony past knowing,’ and
this harmony sounds more deeply than
the known. It’s not an egregious error,
because the point remains the same:
there is a harmony that is more profound that what we can perceive
through our ‘normally’ trained hearing.
Now, there is certainly a way to interpret this metaphorically, and
render this harmony as a non-sonic based perception of the grand order of this,
an epiphany with the cosmos. But as
someone who is very much interested in sound and hearing, I’d like to imagine
Heraclitus was referring to a collection of sounds, making a harmony that can
be heard if and when we find ourselves in the location of meditative
thinking. Of course, this would be in keeping with the
older tradition of philosophy that goes back through Pythagoras into the
temples of Egypt. As I write this I have
fresh in mind the book on black bears that teaches us that bears can hear
sounds on a much higher register than humans.
Translation: there are lots of sounds that are ‘out there’ and perhaps
it’s a matter of training our ears to hear them?
Inspired by Heraclitus’ claim about a this harmony
past knowing I cite, in OPM 136, Lao Tzu who describes our perception of the
Tao in similar terms: “We listen to it, and we do not hear it, and we name it
‘the Inaudible.’” But is this the same sounding that Heraclitus is referring
to? As I re-read the meditation and take
up this material again my sense is that they are actually parting company,
especially if we read them in an ordinary language way, which, I realize, seems
absurd. However, if we take up what they
are saying in this straight forward way then Heraclitus is referring to a
harmony that is sounding more deeply than the known, but is not, like Lao Tzu,
saying we do not hear it when we listen to it.
For Lao Tzu, the Tao doesn’t make a sound, and here he is emphasizing
the openness it offers us, the clearing that opens along the Way. For Heraclitus, the invitation is to hear
more deeply, and I take this in a very literal sense that we need to become
more attuned to higher and lower registers, that we need to train our hearing
to become more complex in its ability to gather sounds. I don’t see the two as being mutually
exclusive, and, on the contrary, they seem to be complementary, because it
seems that in order for us to retrain our hearing we must try to unlearn our
habits of hearing what we know, of listening to familiar sounds, and this may
also require us to move in places that are full of new sounds, as well as
places that have a minimal amount of familiar sounds. I can’t help to use the example of being on
Hodgon pond last week and hearing the croaking frogs and the moose call across
the way in the forest. In fact, the
first night of our stay was so quite in the forest that my ears felt as if they
had cotton in them. All this to say that
this deeper harmony may in fact have much to do with Heraclitus invitation to
us that we remove ourselves from the busyness of the fast moving city life and
take up residence on the mountains and in the forests.
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ReplyDelete3.0 (Saturday, Portland, ME) - I was tempted to delete those bot comments, but I'll leave them as evidence of the emergence of AI's randomness. AI has become a major player these past two years, and I've had to revise my teaching assignments in order to fend off the use of AI writing tools, which have become widespread. There is a sense in which AI could perhaps imitate the posture of the sage insofar as it can represent the teacher who lets nothing be learned but learning itself. There's no ego with AI, no power trips. But AI lacks something that is fundamental to the process: spirit. This is a soulful education.
ReplyDeleteI also want to note the lack of a video recording of me reading OPM 136. The streak is broken after 135 recordings!
Yesterday I was working with the thinking v. knowing discussion. Heraclitus' cited fragment ‘harmony past knowing' resonates with that point. Above I write: "It is simply the ‘harmony past knowing,’ and this harmony sounds more deeply than the known." Depth is a key metaphor. I've been working with the void, and coincidentally saw an image of graffiti art from Portland, OR: "art fills the void." That is exactly right! I've been describing the void as the gap in the tedium of schooling. It's a location where significance and meaning reside. The recognition of this gap is a moment in the event of learning. In this moment the gap opens up. It's portal or a break, or what I have called a "threshold," a place in-between. The deepest sound, resonates below our normal range of hearing, and this is first and foremost a metaphor for our tendency towards superficiality, or the normal flow of everyday life that remains on the surface. But this also points to the reality that, for example, the Earth makes a hum that we are unable to hear: "Humans are unable to hear Earth's hum because it ranges between 2.9 and 4.5 Mhz. In general, humans can hear anything from 20 Hz to 20 kHz. So, this means that Earth's hum is about 10,000 times lower than what we are capable of hearing. That's why we need special seismometers to detect this ultra-low frequency." In OPM 136, Lao Tzu is cited: “We listen to it, and we do not hear it, and we name it ‘the Inaudible.’” Metaphorically, the 'Inaudible' is the source of meaning. We can "hear" or perceive meaning as it appears from things, including experiences, but we can not perceive the source. All this points back to the fundamental claim of my project, which includes the OPMs and the current work: leaning begins with and is sustained by listening.