Only Derrida could 'make sense' (describe phenomenologically) the dash '-' that appears in the title of this blog post, the symbol that is indicating 'through' or 'from here to there'. Who else could show how the movement of a book of philosophy could go from the end chapter 8 to the beginning of chapter 6?
Commemorating OPM 127 forces me to say something about the
contrast between the original experiment
of writing each day and the publication of these meditations as Being and Learning seven years after the
experiment was completed. I’m forced to
say something on this contrast because the published material from OPM 127 is
divided, and not evenly, which only adds to the character of the non-linear
logic that organizes this writing.
Indeed, the first third of the writing that happens in the longish 127
makes up the last paragraph of chapter 8, while the remaining two thirds are
the first three paragraphs of chapter 6, titled “Aristotle’s Critique.” The only clue I have regarding my editorial
decision is a sticky note that I placed half-way into the meditation that says:
“Break on to a discussion of Aristotle on wonder.” Here’s a photo
of the note:
The note is a sign that points to the break that happened at
that moment in the writing. Although I
don’t recollect the details -- again, no
log or diary was kept during the writing experiment – I have a feeling that at
that time I was re-reading Thinking, the first volume of Arendt’s Life of the Mind. OPM 126, as I noted in my commentary, is
organized around two quotations from that volume, so it’s likely that I’d read
her bit on Aristotle and wonder, where he says it is the origin of all
thinking. That, anyway, is probably how
the turn toward Aristotle came about.
But that’s
not saying much about the break, and, what’s more, how the meditations that
happened in the second half of June should end up be published before the ones
that were written between April and May?
Here is where I recall what I have often said about reading Being and Learning: “pick up and read
any page, any paragraph, and then decide to read what comes immediately before
it or after; the writing is non-linear, which is to say it is both intensely
repetitive and circular.” I’m not sure
if I’ve said this as a way of ‘defending’ the writing; again feeling the force
of the norms of academic writing? (This is a recurring question I have been
raising and exploring throughout the commemoration).
The recurring question of the form of the writing vis-à-vis
the expectations of a reader who picks up a book reminds me that there will
remain an unresolvable tension, one that only emerged when I made the decision
to take the dusty binders off my office bookshelf and make a go at preparing
the writing for publication. As I write
this I’m prompted to follow-up on yesterday’s post, which included memories of
attending PES in San Francisco and receiving little to no support from my
colleagues who, as I recall it, were rather nonplussed by the experiment and
its ‘data’. They were, indeed,
somewhat surprised and a bit confused and unsure how to react to the binder I
was carrying. But that wasn’t the only
disappointing reaction. The other came
from one of my hosts. I was staying with
my friend Liz Smith and her family in Pacifica.
Liz’s husband, Brian, had encouraged me to submit a proposal to his
brother who had a connection at Shambala press, known for publishing eastern
philosophy. I’d done so before I’d
completed the yearlong experiment, with the hopes that I could meet with
Brian’s brother when I was in San Francisco.
I’d sent him a long letter and selections from the writing, specifically
the somewhat traditional sounding/looking ‘Introduction’ – the paper that had
gotten things going. By the time I
arrived to San Francisco with binder number one, weeks after completing the
experiment, I hadn’t heard back from the brother. And when I raised this to Brian, he was
almost surprised to hear that I’d actually sent him anything. Or, rather, he acted surprised by the whole
narrative, as if his brother was not in a position to do anything,
actually. I remember feeling numb and somewhat
shocked and embarrassed and then angry that I’d shared anything with this
shadow figure, someone I’d never met before, and, to this day, never
acknowledged receiving my proposal.
I’m almost certain that happened the day I arrived to California, so
that my mood was already a bit funky when PES got underway. And that would give some indication of the
rather alienated look I have in the photo that Audrey included in her PES 2005
web chronicle:
I certainly have the look of someone
who is far from being present. I appear
distant and far from the proceedings.
Pensive and pre-occupied. All
that to say that the confidence that had propelled the experiment had all but
vanished, and the veracity of meditative
thinking’s event-like character was all too intensely real. This is was Arendt described in the first of
the two quotations cited in 126:
‘Thinking is out of order because the quest for meaning produces no end
result that will survive the activity, that will make sense after the activity
has come to an end.’” Indeed, thinking
is out of order and the thinker out of order when he moves in the
location outside of thinking. To make this claim is not
at all to disparage my hosts because, like them, my own day to day family life is
not a location of thinking. (And I've already made some commentary on the family (cf. no. 48, April 1) But the
photo is taken at PES, the annual gathering of members of my professional
community. What does that say about PES? That’s a rhetorical question, and one begs
the criticism of professional conferences that only ever become spaces of
thinking when I’m meeting with my closest friends, usually sharing a meal. And so I am back, again, to yet another
‘fact’ disclosed in the experiment: that
thinking is an intensely intimate and one might even say ‘private’ affair, one,
as Socrates said in the company of
friends, is both a source and expression of love. What is crucial is the intimacy, and, what’s
more, the trust one had for one’s friends, as well as the shared memories. This is why the conversation with Brian
threw me! Where was the shared
memory? Had I misunderstood the
conversation we had during the Christmas
holidays in Summit? Was my memory at
fault, or was he feigning ignorance?
Ten years later I am forced to
remember that the yearlong experiment of writing a daily meditation was just
that: an experiment. I didn’t write with the intention of
publishing the material. On the contrary
I was motivated to write each day because I had a powerful desire to break the
cycle of writing for. Writing for
conferences, writing for journals, etc.
The experiment was a writing from
the location of meditative thinking. But
the truth of that location is that it can not be faithfully described in a
language suited for a general audience.
Like poetry and like art, the writing that is made from the location of
meditative thinking is an affair of the heart, which, as Arendt describes it,
is the most mysterious because it is the darkest part of a person. The heart can not appear in the light of the
public, and is completely absent in the that sphere of anonymity, the
social. This leaves the thinker mostly alone
with himself, waiting for the moment when the company of friends with gather.
3.0 Thursday, Basking Ridge, NJ - Lots to respond to from the 2.0. First, that photo!! Wow, I definitely look 20 years younger heh heh. Definitely been feeling my age these last few months. Travel is taking its toll.
ReplyDeleteSecond, Liz's husband Brian! What a prick! Totally gas lighted me. What I didn't include in that memory was the bizarre comment he made in the midst of the confusion. Starts at Christmas time at Summit Diner (NJ). I share my project with them. He says something about his brother and Shambala Press. I follow up when I'm in SF at PES and staying with them in Pacifica. He acts like he doesn't know what I'm talking about. Then on the last day I'm there, as we're all saying our good byes, he drops as a farewell line a category from my book, could have been "ceaseless nativity" but I don't recall. I do recall feeling like my jaw had dropped, again. He'd read my material! His brother had probably shared it with him. They probably had a good laugh on my behalf. I never liked that guy. Arrogant, and was close to being indicted along with Liz's ex-brother-in-law when that shady figure got busted by the Feds for some kind of bad business practices. Talk about carrying around baggage! Sheesh, I hadn't thought of that bizarre and unsettling incident for some time.
That and the photo, however, remind me that lots of water has definitely passed under the bridge since I first wrote this OPM project.
Now, in terms of the philosophical, the 2.0 commentary reflects on a puzzle that presented itself in the above mentioned binder where I kept (and still keep) the original daily writing: "how the movement of a book of philosophy could go from the end chapter 8 to the beginning of chapter 6?" Of course then answer is giving in "the character of the non-linear logic that organizes this writing." Try as I might to write prosaically straight forward prose, I can't seem to shake the circularity of my thinking and writing. It's just how I go about doing philosophy, and this week's sabbatical writing revealed the inevitability of the non-linear form of my writing/thinking not to mention teaching. In the moment, when it's happening, it feels like the most authentic way to go about the work. But when I'm out of the zone yet still within an academic situation, for example, earlier this week on the day of the faculty interview, I start to feel a bit anxious. Actually, truth be told, I haven't been experiencing those feelings of alienation (revealed in the photo above). After 28 years at Hofstra, I'm feeling empowered and established, and without calling for it, receiving the kind of respect I haven't also received, and within certain context still don't receive. But such is life. Last comment: the coincidence of reading above “pick up and read any page, any paragraph, and then decide to read what comes immediately before it or after; the writing is non-linear, which is to say it is both intensely repetitive and circular.” Not so much the description of the process, which I more or less am following again...despite having a general outline...it's just the way I do things! Rather, the "pick up and read". Tolle lege! Pick up and Read. The famous lines from Augustine's "Confessions," from the moment of his conversion. This has moment has figured prominently in my writing the past week. Tolle lege. Pick up and read...and then write!