I want
to begin today’s commentary by returning to an idea that connects the
meditation written on 7/28/04 with the one written on this day ten years
ago. The idea is a ‘practical’ one
insofar as it describes a manner in which we might respond to the aphorism from
Heraclitus “Nature loves to hide.” The
idea is ‘chase’ aka chasing Nature in its hiding, and is meant to conjure up
the challenge of playing with
Nature. ‘Chasing’ is an implication of
the Contact!, what happens after the event of appropriation, when
we are drawn into the flow. The
implications for understanding learning as a kind of art, or music-making (in
both a very general metaphoric as well as a specific literal sense) are
obvious. Learning as poiein, fabrication in an originary
sense: making something new. “This
‘chase’ unfolds as the spontaneity of responding, the
improvisation…”(7/28/04) And before
that: “The reception of the mysterious other as the invocation to create, to
build the poetic dwelling is always a disruption of the creeping entropy which
seeks to put a stranglehold on the heart whose rhythm provides the cadence the
polyphonic performance…the improvisational give and take of poetic dialogue.”
What is meant here by the ‘mysterious other’ is, of course, the intuited
totality, Being: “This is the mystery of Life itself, and thus to ‘chase’ is to
participate in that creative and dynamic process.”
If
meditative thinking prepares for and anticipates the effacement with Life
itself, and if the culmination of this thinking is the ‘high point’ (as
Nietzsche phrased it) where Being and Becoming are perceived in closest
proximity (for this primal ground and primal flow remain ‘distinct’), then the
‘aftermath’ of this experience is akin to that of the surfer after an epic ride:
the desire for another aka paddling back out into the swell. Here then we can connect the ‘chase’ to the
desire to catch another wave, or to find the groove (to use a musical
metaphor). In both cases we are
searching to reconnect with something that has shown itself and is now,
apparently, in hiding.
The
7/29/04 musings on the chase after Nature take me back to the ‘healing’, which
I took up in my commentary on OPM 153 (July 17th). Chasing Nature leads to the discovery that
‘hiding’ is linked to ‘healing’: “To ‘heal’ is to ‘make sound or whole: to
restore to health,’ but it also denotes ‘to cover (as in seeds) with
earth.’ The latter is derived from the
Middle English Helen which says ‘to
hide, conceal, cover.’”(7/29/04) Chasing
is thus further preparation and anticipation: the attempt to re-connect so as
to re-cover – become whole, sound. All
this relates to both desire for Contact!
with the primal, which is not necessarily what Thoreau was referring to, but
plausibly so. And I want to read the
aftermath of his epiphany (described in my commentaries on OPM 163 & 164)
as expressing a desire for a clearer perception of what appears “dim
and misty” to him, “obscured by the aeons that lie between the bark canoe and
the batteau.”
Today, as I worked in the Glickman
library (USM Portland) I encountered some material that revealed to me the
longer history of the thinking/writing I am drawn to, so much that today I am
paused to wonder about the very starting point of the experiment (published as
chapter one in Being and Learning),
which is the question inspired by Plato.
Paraphrasing the starting point:
“The question is not whether or not we are capable of contemplating
(perceiving) Being. Rather, it is one of
being turned around to do it. In turn, the question is a pedagogical one:
of how we are turned around to contemplate (perceive) Being?” Today, then, the force of the question
arises with the periagoge (turning around…of the soul) [no pun intended!], and
does so in the following way: in the
sense that the ‘turn’ or the ‘turning around’ or the ‘returning’ is
historicized…insofar as we can call an imagined or mythic time ‘historical.’ Here
I don’t even mean, exclusively, something like the time of Eden, which seems
quite imagined and mythical, but also something like the time of Exodus aka the
time between Egypt and Jerusalem. (And,
indeed, it could be the kairological time in-between, only if such time can be
historicized in some way…and this I’ve yet to consider…until now) The point is that the periagoge to historicized Being is the re-turn to a primal ground
and flow, that is, the re-turn to the time when humans had contact with the
primacy of the primal. The periagoge to historicized Being begins with an initial perception of what appears
“dim and misty” to us, “obscured by the aeons that lie
between the bark canoe and the batteau,” a perception of an imagined or mythic
time. Is this desire an expression of
what Lovejoy and Boas (1973) called ‘cultural primitivism’?: “the belief of men
living in relatively highly evolved and complex cultural condition that a life
far more simpler and less sophisticated in some or in all respects is a more
desirable life.”(p.7) In a jocular
moment they say such sentiments have probably been felt by humans since we
first took shelter (in caves!), some one of the group romanticizing the simpler
days of free, nomadic roaming. But in a
serious moment they show the ‘primitivist’ impulse in Plato himself, showing that
the Republic is built on that impulse
to re-cover (heal) the ‘sick city’ by re-turning (periagoge) to a healthy one aka ‘re-building’. I certainly don’t want at this point to
become totally side-tracked by a concept that is deeply historicized but does
not at all figure in my work: bildung. (so far as I know, neither Heidegger nor
Nietzsche – the most vocal of my German interlocutors – makes mention of bildung).
I want to end with another prompt
from today (and there were many, but I’m only selecting a few), which I
encountered during my reading of Emerson.
A secondary source (Stiles’ Emerson’s
Contemporaries and Kerouac’s Crowd) which I found ‘by chance’ in the
stacks, pointed me to Emerson’s essay “Nature” (1836), which was read by many,
and, specifically, by the 19 year old
Thoreau. Aside from being a foundational
text for the New England Transcendentalist school, what caught me attention
today was the proposal made by Emerson at the start of the essay, which is very
much in synch by the non-Romantic and non-Primitivist designs of my project of
originary thinking. That is to say, I
read it as calling for a periagoge
that is originary in the sense of re-turning to the primacy of the primal,
which is not the primitive. A re-turn
to the primacy of the primal initiates and originates
original thinking; in the re-turn to the
primacy of the primal we make a philosophy of the present via a phenomenology
of presencing: an account of Life’s present unfolding aka Being Becoming. Here is how Emerson begins his Introduction
to “Nature”:
“Our age is retrospective. It builds the sepulchers of the fathers. It writes biographies, histories, and
criticism. The foregoing generation
beheld God and nature face-to-face; we through their eyes. Why should not we also enjoy an original
relation to the universe? Why should not we have a poetry and philosophy of
insight and not of tradition, and a religion by revelation to us, and not the
history of theirs? Embosomed for a season in nature, whose floods of life
stream around and through us, and invite us by the powers they supply, to action
proportioned to nature, why should we grope among the dry bones of the past, or
put the living generation into masquerade out of its faded wardrobe? The sun
shines to-day also. There is more wool and flax in the fields. There are new
lands, new men, new thoughts. Let us
demand our own works and laws and worship.”
Here is an aphorism/fragment distilled from the July 29th writing (04 & 14):
"Running ahead to the past" can also be thought as "returning to the present."
3.0 (Monday, Acadia/MDI, Maine) Coincidentally -- how many already? -- among the 5-6 books I took with me to jumpstart part 3 is "The Concept of Time" by Heidegger. It is an lecture he gave in 1924 at the Marburg Theological Society, and it signals the core of his thinking that will lead to his 1927 magnum opus "Being and Time." The phrase "running ahead to the past" is from that lecture. The fragment I distilled 10 years ago today suggests the phrase can be understood as "returning to the present." I'm not sure I would agree with that claim, especially after revisiting Heidegger's text. In fact, the emphasis is on the future, on encountering our "possibility in running ahead to this past." (21) He says, "in running ahead I am authentically time, I have time." Now "having" or "being" time could be understood as "being present" in the sense of Aristotle's description of time as a "moving now." In other words, one can only ever being "in" the present. Of course, one's sense of that present is relative and can't be measured. And one can also "be" caught up in one's past or with one's future. Heidegger seems to be playing with the expression "standing before" (Bevorstehens). Or maybe it's the translation. "Bevorstehens" seems to denote "imminent". And this implies better the drama of what Heidegger is getting out: the awareness or consciousness of our mortality. Our death is the most certain uncertainty, and it is what is "standing before" us. One can easily surmise the Existentialist "carpe diem tempus fugit" from this feeling or awareness of imminence. What is out there, somewhere, waiting to pounce...our mortality. This is what "stand before" us.
ReplyDelete3.0b - And so Heidegger is playing with the "before" and emphasizing the temporality of our mortality. Materially, the laptop, the table, the stack of books, the clothing and hats hanging on the rack, the wall, all of this "stands before me" in space. The wall is especially "there" in front of me. But in terms of time, they don't stand "before" as a fact beyond my freedom. All these things came into relation with me as a result of choices I made in my past. I am sitting here in this studio located in the house at 194 Otter Creek Drive, MDI, Maine, USA, because of my relationship with Kelly, and her decisions at UNE that lead her to have a friendship with Colleen, whose family recently purchased this house and have rented it to us for the week. The case for my glasses (purchased at Penn Station, NYC, spring 2024), the books, hats, hoodies, shorts, each is linked to a specific occasion, and cannot be reduced to a decision to purchase it. The books, such as the Heidegger book, all have histories that link me to a place and all the experiences that happened there. The Heidegger book was purchased at Blackwell's book shop in Oxford on April 3, 2005. All the memories associated with Oxford and PESGB, but also the infamous incident with the city bus on March 30, 2007. That was life changing! The Brighton Mountain hoodie (March, 2024, PES, Salt Lake). The West Point Army lax shorts (that takes me all the way back to the summer of 1983!). In sum, these things all stand "before" me in being here in this studio, but more importantly as symbolic links to my past. And for Heidegger they knit together MY past. No one else's! This is what makes them significant. And this is what gathers together the story of a life, of MY life, and no one else's. "I never 'am' the Other," Heidegger insists. What makes my death mine and only mine are these significant objects that help tell the story of my life. And while others may attempt to (re)tell that story, it only ME who can fully rehearse the story. On the backside of the cover in a note underneath the date and place I wrote, "walking Kaya." Family members know that Kaya is the beloved dog who passed away in 2010. She was truly a companion, a best friend. And she enjoyed slow walks, and had the habit of giving herself small touch massages by slowly moving in and out of low hangin branches. We call that act "zenning" because it seemed like she was in a Zen modality. Kaya was a Swiss Mountain dog. Big, strong, but so loving. I used to read "The Concept of Time" while walking her, because, indeed, with Kaya there was no rush, there was only being-together. And this is why I emphasize the Now. If death stands "before" me it is only because I am alive. I can't help but think it is a deeply cynical and awfully morbid way to be inspired to act. I have the highest respect for Heidegger, who has and continues to inspire me like no other philosopher. And I get his point, and perhaps I am too much a coward to embrace what he is suggesting. Maybe I'm really not a "deadhead" after all! ;-).
ReplyDelete3.0c (written before but posted at Choco-Latte Cafe, Bar Harbor after a ride around Eagle Lake>Aunt Betty's Pond>Jordan Pond>Bubbles Pond>Eagle Lake) Last night I took a drive down to Otter Cliffs, which is only down the road a bit. It was dusk. I had a rolled a joint of Maui Wowee and sat atop the cliffs, smoking. I was alone with the sound of the Atlantic reaching the rocky shores, the toll of the bay bell warning boaters of the breakers. I've climbed those cliffs with Jaime, and with Kelly the three of us visit that spot. But last night I experienced the sublime in the treacherous height of the cliffs. The feeling of falling was intense, and made even more so by the flimsy pair of Birkenstocks I was wearing! My mortality stood "before" me, intensely and in some ways precariously. I didn't feel that way when I was hanging on a rope and climbing! I trusted the gear and my guide. But last night, no rope and no guide. There's also the figurative and existential sense of "running ahead to the past," where the "past" denotes our mortality standing "before" us. (I don't appreciate it being "imminent"...feels too fast, not Zen!). Our past slips away. Our childhood, teenage years, young adults, the early professional years, the birth of our children, and all that happens in between, all of this goes away. Our past is an archive but is also a mausoleum. Now that's morbid! ;-). My point is that it all goes "away" but also remains who we are. And this is why what we do, all the small decisions we make, especially the ways we treat one another, is indelible. We can try to remember, and try to forget, celebrate and forgive, but so long as we have things standing before us that link us to our past, it all remains "before" us, which is to say, "with" us. To hold that feeling/thought close is what enables us to be mindful in what we do today. Walking, slowly, ahead with the past.
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